Dullaart’s “Chorus” is a web-based sonnet, sung by a crowdsourced chorus. Kuo’s Baby Faith is a young, naive chatbot struggling to learn how to identify human emotion. Both works play off the inaugural issue’s theme, Disinformation, and relate to ongoing research at Rhizome.
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Love the pieces. Is it just me, or is the magazine a little light on identifying the role of algorithmically served online video in disinformation campaigns?
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