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"What film of the last decade—fiction or nonfiction or in-between—more unflinchingly reflects the needs and crises of our times, the hunger to connect and belong?" Read
@brandnewfarihah on Kirsten Johnson's CAMERAPERSON, our 8th best movie of the decade. http://www.reverseshot.org/symposiums/entry/2638/cameraperson_decade …pic.twitter.com/yWJiQzcQid
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"Challenging in the making, effortless in the viewing." Clara Miranda Scherffig—
@cmirffig—on the complexly conceived and executed linearity of BOYHOOD, our 9th best movie of the decade. http://www.reverseshot.org/symposiums/entry/2637/decade_boyhood …pic.twitter.com/Qem0RzD34y
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Pure dystopia.
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Our symposium on the best films of the decade continues as we enter the top ten with
@suegruder on Paul Thomas Anderson's PHANTOM THREAD, a film that "upends our assumptions and refuses to be pinned down into a readymade pattern." http://www.reverseshot.org/symposiums/entry/2636/decade_phantom_thread …pic.twitter.com/Ge7O9D5XuI
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"The more completely you excavate the personal, the more impersonal it becomes."
@shonnienelow on the strange, richly discomfiting experience of Joanna Hogg's THE SOUVENIR—our 11th best film of the decade. http://www.reverseshot.org/symposiums/entry/2635/decade_souvenir …pic.twitter.com/3JtVdw1egs
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"NEW YORK, NEW YORK is the film AN AMERICAN IN PARIS might have been if Jerry Mulligan’s egomania were a tragic flaw instead of the mark of a hero." And so begins
@elusivecorporal's essay on Scorsese’s great film, playing in a new print at@MetrographNYC http://www.reverseshot.org/symposiums/entry/1862/newyork_newyork …pic.twitter.com/sQyH08VDTk
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Film is magic, serendipity; it is image more than word, spontaneous gesture as much as careful staging - I wrote on Jafar Panahi's THIS IS NOT A FILM for
@reverse_shot, as part of the contributors' look at the most memorable films of the past decade https://buff.ly/38OyVYu pic.twitter.com/wXmgwF3V48
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...and in a Friday twist, we have another #12—our only tie of the poll: Jafar Panahi's THIS IS NOT A FILM. "It interrogates the essence of cinema, and poignantly shows how a film experience transcends its purely technical means."—
@Ela_Bittencourt http://www.reverseshot.org/symposiums/entry/2633/decade_this_is_not_film …pic.twitter.com/6pkUKGjjhi
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"Soon after it premiered in 2016, Jenkins’s timely second feature already felt like one of the most aesthetically and socially important American films of the new century."
@emmapiperburket on MOONLIGHT, our #12 best movie of the decade. http://www.reverseshot.org/symposiums/entry/2632/moonlight_decade …pic.twitter.com/qK0qiuyZKN
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Trenton, NJ, 1987. I'm the tender age of 9 as documentary legend and beloved aunt Julia Reichert begins preparing me to produce
@afactoryfilm.pic.twitter.com/rE4iJ1ixua
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"The truth hides somewhere in the collision of being and non-being, always just out of reach."
@keithuhlich on Kiarostami's CERTIFIED COPY, our lucky 13th best movie of the decade. http://www.reverseshot.org/symposiums/entry/2631/decade_certified_copy …pic.twitter.com/thbvfEhUzi
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Thrilled to have our first Sundance dispatch of 2020 from
@suegruder!https://twitter.com/suegruder/status/1222715555955847168 …Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
As a PORTRAIT OF A LADY ON FIRE super-fan, I was thrilled to revisit Céline Sciamma and Adèle Haenel's first collaboration for this week's Queer & Now & Then column: https://twitter.com/FilmComment/status/1222614665504620544 …pic.twitter.com/w3oZENaBqZ
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Tsai Ming-liang on Lee Kang-sheng: "All I can say is this—his face is my Cinema.” Read
@GoldsmithLeo on our 14th best movie of the decade, STRAY DOGS. http://www.reverseshot.org/symposiums/entry/2630/decade_stray_dogs …pic.twitter.com/Z5J0qTKOAA
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ICYMI, we're a quarter of the way through our best of the decade essay countdown...keep checking back daily.https://twitter.com/reverse_shot/status/1222192283866583040 …
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Oh, that long, last, loving look. CAROL is our 15th best movie of the decade. CW on perspective and camera, Haynes and Highsmith: http://www.reverseshot.org/symposiums/entry/2629/decade_best_carol …pic.twitter.com/oYEJJfSirf
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The Best of the Decade essay countdown continues with
@ognkd waxing on our number 16, Lee Chang-dong's POETRY, a film she places "within a larger context of misogyny as an intergenerational inheritance, wherein complicity is a habit of everyday life." http://www.reverseshot.org/symposiums/entry/2628/decade_best_poetry …pic.twitter.com/EUmNzqnz3M
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All great news, but let's save a special shoutout for Julia Reichert, who has spent almost fifty years tirelessly and with little funding making revelatory documentaries, many of which proclaim solidarity with the American worker.https://twitter.com/NetflixFilm/status/1220828780245073920 …
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"You probably heard that one before. It was never new and it never gets old."
@eshynes on why we're still haunted by Oscar Isaac's itinerant folk singer in the Coens' INSIDE LLEWYN DAVIS, our 17th best movie of the decade. http://www.reverseshot.org/symposiums/entry/2627/decade_best_inside_llewyn …pic.twitter.com/99e7ofjDd8
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A gem from the archive:
@_subarashii on Jia Zhangke's I WISH I KNEW as a link between Jia and Hou Hsiao-hisien. The film starts today@MetrographNYC http://www.reverseshot.org/features/1914/iwishiknew …pic.twitter.com/9TvidnUT5a
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