Reverse Shot

@reverse_shot

Reverse Shot is a publication of Museum of the Moving Image. Eds: Michael Koresky and Jeff Reichert. Twitter: Koresky

NYC & beyond
Vrijeme pridruživanja: kolovoz 2009.

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  1. prije 19 sati

    "What film of the last decade—fiction or nonfiction or in-between—more unflinchingly reflects the needs and crises of our times, the hunger to connect and belong?" Read on Kirsten Johnson's CAMERAPERSON, our 8th best movie of the decade.

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  2. 5. velj

    "Challenging in the making, effortless in the viewing." Clara Miranda Scherffig——on the complexly conceived and executed linearity of BOYHOOD, our 9th best movie of the decade.

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  3. 5. velj

    Pure dystopia.

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  4. 4. velj

    Our symposium on the best films of the decade continues as we enter the top ten with on Paul Thomas Anderson's PHANTOM THREAD, a film that "upends our assumptions and refuses to be pinned down into a readymade pattern."

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  5. 3. velj

    "The more completely you excavate the personal, the more impersonal it becomes." on the strange, richly discomfiting experience of Joanna Hogg's THE SOUVENIR—our 11th best film of the decade.

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  6. 1. velj

    "NEW YORK, NEW YORK is the film AN AMERICAN IN PARIS might have been if Jerry Mulligan’s egomania were a tragic flaw instead of the mark of a hero." And so begins 's essay on Scorsese’s great film, playing in a new print at

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  7. proslijedio/la je Tweet
    1. velj

    Film is magic, serendipity; it is image more than word, spontaneous gesture as much as careful staging - I wrote on Jafar Panahi's THIS IS NOT A FILM for , as part of the contributors' look at the most memorable films of the past decade

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  8. 31. sij

    ...and in a Friday twist, we have another #12—our only tie of the poll: Jafar Panahi's THIS IS NOT A FILM. "It interrogates the essence of cinema, and poignantly shows how a film experience transcends its purely technical means."—

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  9. 31. sij

    "Soon after it premiered in 2016, Jenkins’s timely second feature already felt like one of the most aesthetically and socially important American films of the new century." on MOONLIGHT, our #12 best movie of the decade.

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  10. proslijedio/la je Tweet
    30. sij

    Trenton, NJ, 1987. I'm the tender age of 9 as documentary legend and beloved aunt Julia Reichert begins preparing me to produce .

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  11. 30. sij

    "The truth hides somewhere in the collision of being and non-being, always just out of reach." on Kiarostami's CERTIFIED COPY, our lucky 13th best movie of the decade.

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  12. 30. sij

    Thrilled to have our first Sundance dispatch of 2020 from !

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  13. 29. sij

    As a PORTRAIT OF A LADY ON FIRE super-fan, I was thrilled to revisit Céline Sciamma and Adèle Haenel's first collaboration for this week's Queer & Now & Then column:

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  14. 29. sij

    Tsai Ming-liang on Lee Kang-sheng: "All I can say is this—his face is my Cinema.” Read on our 14th best movie of the decade, STRAY DOGS.

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  15. 28. sij

    ICYMI, we're a quarter of the way through our best of the decade essay countdown...keep checking back daily.

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  16. 28. sij

    Oh, that long, last, loving look. CAROL is our 15th best movie of the decade. CW on perspective and camera, Haynes and Highsmith:

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  17. 27. sij

    The Best of the Decade essay countdown continues with waxing on our number 16, Lee Chang-dong's POETRY, a film she places "within a larger context of misogyny as an intergenerational inheritance, wherein complicity is a habit of everyday life."

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  18. 24. sij

    All great news, but let's save a special shoutout for Julia Reichert, who has spent almost fifty years tirelessly and with little funding making revelatory documentaries, many of which proclaim solidarity with the American worker.

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  19. 24. sij

    "You probably heard that one before. It was never new and it never gets old." on why we're still haunted by Oscar Isaac's itinerant folk singer in the Coens' INSIDE LLEWYN DAVIS, our 17th best movie of the decade.

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  20. 24. sij

    A gem from the archive: on Jia Zhangke's I WISH I KNEW as a link between Jia and Hou Hsiao-hisien. The film starts today

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