Starting to get a sense of what other weights of Inconsolata will look like (the 200 and 900 are new, the 400 and 700 are the existing version).pic.twitter.com/fPjeJLekb0
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Rust. Fonts. Graphics. Quaker. Independent. he/him
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Starting to get a sense of what other weights of Inconsolata will look like (the 200 and 900 are new, the 400 and 700 are the existing version).pic.twitter.com/fPjeJLekb0
The 'm' would look less crowded if the central stick did not descend to the baseline.
I've experimented a bit with that but don't think it looks great. But thanks for the feedback! Obviously 'm' is one of the most difficult glyphs to design in a monospace font.
Thanks for your work on this font. I have used it a lot in the past. In the end though I always ended up switching to other fonts because there wasn't enough style consistency between glyphs for my liking. (Primarily I found the 't' jarring..)
In your screenshot, the half-serifs on the 'H', 'b' and 'r' are not present on the other letters (c.f. the upper stroke on 'g' to 'r'), which is also visually inconsistent to my eye. The font could be improved with greater stylistic consistency between glyphs.
I'll take this on board but am probably not going to radically rework the micro-serifs in this go-round. They're designed to be subtle (almost invisible at text sizes) so one thing that might work is reducing them in display, with a size axis. The 't' yes though.
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