Paul Almásy, France, 1950s
Conversation
Sebastião Salgado, The Turanj camp for Bosnian refugees from the Bihac enclave, Krajina, Croatia, 1994
1
9
34
Antanas Sutkus, At the children’s song festival, Kulautuva, 1964
2
2
16
Antanas Sutkus, Toys in Vilnius, 1974
1
2
17
Mario Cattaneo, Newsboy, 1952
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5
22
Gael Turine
1
4
21
Jacob Aue Sobol
1
4
36
Larry Towell
1
15
55
Bruce Davidson, East 100th Street, 1970
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6
50
John Chillingworth, The boy and the distorting mirror, Rotherham, July 1960
1
9
118
Vivian Meyer (1926-2009)
Untitled and undated
(Friends)
Replying to
I saw the first ever exhibit of Meyer's street photography in Chicago, and the intimacy of it was overwhelming. How did she so thoroughly disarm her stranger subjects, no matter where in the world, and no matter their age, gender, class or race?
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