"I, Gerald Ford am the 38th Puppet of the United States”, Emory Douglas for the Black Panther Party, U.S.A.1974
Conversation
Kara Walker, Cotton, 1997. Ink etching and aquatint on paper, 18 x 15 in.
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Betye Saar. We Was Mostly ’Bout Survival, 2017. Mixed-media assemblage, ironing board etc. 37 x 8.5 x 2.75 in.
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Alexis Rockman, The Fate of the Rebel Flag, 2019. Oil on dibond, 18 x 24 in.
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Jean-Michel Basquiat, Earth, 1984
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Emory Douglas
"Revolution in our lifetime" Black Panthers Poster, 1969
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Emory Douglas
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Kerry James Marshall, “Untitled (Curtain Girl)”; acrylic on PVC panel , 2016. 76 x 61 cm.
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Amy Sherald, Grand Dame Queenie, 2013, oil on canvas
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Carrie Mae Weems, Blue Black Boy, 1997
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Umar Rashid (Frohawk Two Feathers) , A Bonnville (For Lafcadio). Or, The Fall of Olympus Is Warranted so That the Tyranny of Western Civilization Is Deaded in the Crib. (2017)
Acrylic, ink, and graphite on canvas (72 × 84 inches)
Replying to
Jean-Michel Basquiat – Defacement (The Death of Michael Stewart), 1983.
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Trenton Doyle Hancock, Struggle, acrylic, ink, graphite, paper/canvas collage on paper, 2 ft x 2ft, 2008
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Trenton Doyle Hancock, Leave Salem, acrylic on paper, 24 inches x 36 inches, 1999
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Kara Walker. The Rich Soil Down There. Cut paper, paint on wall. 2002.
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