2015 continued with clustering and arranging. But now it became "deep" since I learned how to use Caffe and the feature vectors from neural image classification networks. Emojis and Album covers arranged by similarity.pic.twitter.com/THB1UECq1V
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2018 was the year when #AIart got everyone's attention. Whilst in the years before there were already a few shows featuring this kind of work now it got everywhere.
I was quite proud to show "Neurography" at the @TPGallery and "The Uncanny Mirror" at the Seoul Biennale.pic.twitter.com/jobOtYokRU
To my great surprise that year I won the @lumenprize gold for "The Butcher's Son".https://twitter.com/quasimondo/status/1024584013711851520?s=20 …
My inability to just shut up about "that" work that shall not be named got my art into the @nytimes - still wonder how it would have fared without the extra press generated by that controversy.pic.twitter.com/To0t9LkqeA
In 2018 I also got asked a question by a collector that is probably every artist's dream: "What is it you would you like to make, but could not so far?" So I got commissioned to create "Memories of Passersby".pic.twitter.com/uzRSxpyrXW
2019 was probably the "you reap what you sow" year. The problem with "success" or however you might call it is that it is so damn time consuming. In hindsight it feels like I did not get as much work done as I wish I had and my time to experiment took a major dent.
But I am complaining on a high comfort level since I got some real amazing opportunities this year. It started with making visuals for the #MassiveAttack tour.https://twitter.com/quasimondo/status/1090174818962587648?s=20 …
Then one of the "Memories of Passersby I" editions was auctioned at @Sothebys - I was quite worried with all the overheated expectations from that other auction in the previous year. And of course the reaction on the "modest $51.000" was nasty:https://news.artnet.com/market/artificial-intelligence-sothebys-1481590 …
A marathon of setting up installations and attending openings followed: Basel, Hannover, Leicester and my most complex installation so far "Circuit Training" at the Barbican in London.https://artsandculture.google.com/exhibit/circuit-training-machine-made-art-for-the-people-barbican-centre/MQKSdP9M5scyLQ?hl=en …
It was also a lot of fun to work on one of the most important albums of this year by @YACHT.https://twitter.com/quasimondo/status/1166691428640133121?s=20 …
In my role as a "ghost artist" I put my AI skills into the services of Fabien Giraud & Raphaël Siboni for their installation at the Okayama Art Summit.https://twitter.com/quasimondo/status/1177033465348231168?s=20 …
Well, I guess that's enough. Fortunately in the past weeks I found time again for some experimentation and I am working on two "all new" works that I hope to be able to share soon.
Enjoy your new years eve! 
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