The plot of a Half-Life game is a framework to hang gameplay mechanics and set-pieces on. This isn't a bad thing, it's if anything normal
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that one's easy: neither G-Man nor Vorts are interested in humanity except instrumentally. We never learned the Vorts' motivations at all.
Frankly we never learned anything about anything, even after Marc Laidlaw's capstone. Which is fine, it's good and tonally correct
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Exactly. It was all high concept sci-fi bobbins anyway; maybe the "plot" of Half-Life is "alien intelligences are unknowable and terrifying"
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just give me another couple of Adam Foster mini-episodes and I'll forgive the decade of "maybe soon"
End of conversation
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