I feel like there's an uncanny valley for movie physics. And movie everything, in fact. Guns, lawyers, spaceships, cops, cars. There's a threshold where a movie cleaves *too* hard to the reality, and so becomes counterintuitively less credible as a story
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The interesting part is that the location of that valley is established, like tone, by the earliest parts of the movie
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Replying to @mechtroid
Primer is extremely tonally consistent. It presents some frankly impossible things in a very humdrum, low-key way which is appropriate to the humdrum, low-key setting of the story. It's an A+
5:13 PM - 8 Jul 2018
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