THE ROMANOFFS is an overstuffed, overpriced mess of a show. Read @ellie_bufkin on why Amazon keeps making these mistakes.http://thefederalist.com/2018/11/02/amazon-keep-spending-top-dollar-subpar-shows/#.W9yvrk8z3x8.twitter …
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Ben Domenech Retweeted
Well this is definitely correct. https://twitter.com/DDohertyFilms/status/1054934207368192000?s=19 …
Ben Domenech added,
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THE SINNER is okay - a tad predictable and too anti-Catholic but as a mystery it held up, and Jessica Biel was great.
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BODYGUARD is half of a great show but they blew it.
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MAKING A MURDERER Season 2 is not a definitive documentary exercise so much as a way to convince you that our criminal analysis methods suck. It does that.
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HOMECOMING is a great Sam Esmail show. His camera work makes it so much more memorable. Perfect choice of a director for the story.
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COLLATERAL has an interesting crime drama within it but the creators aren't interested in telling it. They're interested in a bunch of other things, to their detriment.
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Not a big fan of cooking competitions but THE FINAL TABLE is interesting since it includes already successful chefs. The weakness: the non food critic judges. Hassan Minhaj and Dax Shepard? Really?
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The Dicaprio-produced JONESTOWN documentary on Sundance is really disturbing given the amount of original footage and how similar the socialist rhetoric is to today's.
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Somehow I didn't mention THE BALLAD OF BUSTER SCRUGGS, which is ok, amusing, but supremely weird. Not as big of a fan as others.
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Scruggs was fascinating, IMHO. Visually beautiful, funny, heartfelt, terrifying, surreal.
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