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Of course Babbitt was famously infuriated by that title, which he didn't choose. But his editor, I think, saw something in his compositions and his philosophy of music that he could not bring himself to admit.
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“[the notes] seemed to embody every human act and thought that had ascent as its motive. It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose.”
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