(That paragraph is from Mark Fisher's text from the event, which IIRC also occasioned a bout of "should the left be in the Labour Party" arguing - & actually was the iteration of that eternal argument that began to change my mind on it.)
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wouldn’t happen on a kindle composed after the collapse of his political hopes, Milton's great poems Paradise Lost, Paradise Regained, & Samson Agonistes are an effort to understand what it means to be a poet on the threshold of a post-theological world...
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the argument of *Delirious Milton*, inspired in part by the architectural theorist Rem Koolhaas's *Delirious New York*, is that Milton's creative power is drawn from a rift at the center of his consciousness over the question of creation itself...
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