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Parallax Optics
Parallax Optics
Parallax Optics
@parallaxoptics

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Parallax Optics

@parallaxoptics

Cybernetic Essentialist Nihilism

parallaxoptics.wordpress.com
Joined February 2017

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    1. Geoffrey Miller‏Verified account @primalpoly Oct 30

      'The ultimate supremacy of Progressivism is no longer secure. Not only can it be hacked, it deserves to be hacked, by freethinking, darkly enlightened, heretical, reactionary artists.' -- provocative essay on the future of art by @parallaxopticshttps://parallaxoptics.wordpress.com/2017/02/22/towards-a-contemporary-art-of-the-right/ …

      5 replies 17 retweets 71 likes
    2. Eiður Á. Möller‏ @edsonedge Oct 30
      Replying to @primalpoly @parallaxoptics

      Is there anyone besides Moldbug and a few followers that have been talking in this line? It is an interesting read and all, but I think it very loosely fits with Trump/Brexit and suspect its influence is exaggerated both by its adherents and by the media using them as boogie men

      1 reply 0 retweets 1 like
    3. Geoffrey Miller‏Verified account @primalpoly Oct 30
      Replying to @edsonedge @parallaxoptics

      There is a fairly active movement to revive traditionalist aesthetics and atelier-style classical studio art education, but it's a fairly dispersed network I think.

      1 reply 0 retweets 2 likes
    4. Eiður Á. Möller‏ @edsonedge Oct 30
      Replying to @primalpoly @parallaxoptics

      Sounds a bit like wishful thinking by the adherents to me

      1 reply 0 retweets 0 likes
      Parallax Optics‏ @parallaxoptics Oct 30
      Replying to @edsonedge @primalpoly

      The piece was originally written in the immediate aftermath of @realDonaldTrump's confirmation, in response the exquisite, existential status threat clearly perceived by good progressives, who sincerely believed that Potus = CEO of the country.

      3:41 PM - 30 Oct 2018
      • 5 Likes
      • Doktor Faustus Outsideness нαℓιƒαχ ЅЂаↁош Eli Schiff Eiður Á. Möller
      1 reply 0 retweets 5 likes
        1. New conversation
        2. Parallax Optics‏ @parallaxoptics Oct 30
          Replying to @parallaxoptics @edsonedge and

          However, the core ideas date back much further, to my initial encounter with Moldbug circa 2011. At the time, the Neoreligious structure of the Cathedral appeared to map so closely onto the contemporary art world (CAW) that the insight was trivial + there was no audience for it.

          1 reply 0 retweets 8 likes
        3. Parallax Optics‏ @parallaxoptics Oct 30
          Replying to @parallaxoptics @edsonedge and

          Scroll forward to 2018, and not only is there an audience, but a nascent strategy for opposing the CAW via an iconoclastic assault on the aesthetics of the elite status quo. The CAW is a highly policed ideological space, but an Inside presupposes an Outside, and it is towards...

          2 replies 1 retweet 10 likes
        4. Parallax Optics‏ @parallaxoptics Oct 30
          Replying to @parallaxoptics @edsonedge and

          ...the low-hanging heretical fruit of the Outside that our eyes are turned. We look to the past only for forms of organisation, of patronage, of constellations of aesthetic shelling points, not to recreate it, but to destroy the aesthetics of the prison of the Now.

          1 reply 1 retweet 8 likes
        5. Eiður Á. Möller‏ @edsonedge Oct 30
          Replying to @parallaxoptics @primalpoly @realDonaldTrump

          It seems to me, like you mention, that crafty/skillful art always has the disadvantage that it takes longer to make. So even if there is a movement you would need to scale with n geniuses, so I suspect it will be hard to scale.

          1 reply 0 retweets 0 likes
        6. Eiður Á. Möller‏ @edsonedge Oct 30
          Replying to @edsonedge @parallaxoptics and

          ... at least if it is really the craft that is to add value.

          1 reply 0 retweets 0 likes
        7. Parallax Optics‏ @parallaxoptics Oct 30
          Replying to @edsonedge @primalpoly @realDonaldTrump

          I discuss these interrelated aspects across a series of posts, especially relevant are the ones on Neoreligion, Left Singularity and Iconoclasm. Unlike many on the Right, I am not a restorationalist.

          1 reply 0 retweets 2 likes
        8. Eiður Á. Möller‏ @edsonedge Oct 30
          Replying to @parallaxoptics @primalpoly

          Don't you think then if craft is to be a pivotal part of the new aesthetic, that computerization (Ai, and such) needs to be utilized, to compete with how fast contemporary art can be made? (and just to keep up with our fast times as well)

          2 replies 0 retweets 0 likes
        9. Parallax Optics‏ @parallaxoptics Oct 30
          Replying to @edsonedge @primalpoly

          It's not speed, nor volume, but status. Status is the territory to be won. How is it to be won? Simple, erode the neo-Puritan zealotic status system at the heart of the CAW causing a crack in the Matrix / mass defection from the ideological policing of symbolic space.

          1 reply 1 retweet 4 likes
        10. 1 more reply

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