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The New York Times
The New York Times
The New York Times
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The New York TimesVerified account

@nytimes

Where the conversation begins. Follow for breaking news, special reports, RTs of our journalists and more. Visit http://nyti.ms/2FVHq9v  to share news tips.

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nytimes.com
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    1. The New York Times‏Verified account @nytimes Feb 16

      16. "Cotton Comes to Harlem" (1970): Ossie Davis's movie gave Blaxploitation its literary and Hollywood pedigree. The volatile, often contradictory politics are especially pointed here.http://nyti.ms/2BMQKpU 

      8 replies 64 retweets 254 likes
      Show this thread
    2. The New York Times‏Verified account @nytimes Feb 17

      17. "I Am Somebody" (1970): The director, Madeline Anderson, lets striking female workers speak for themselves, a choice that puts their fight for self-determination into stirring terms http://nyti.ms/2BMQKpU pic.twitter.com/1S2onomx7l

      11 replies 127 retweets 439 likes
      Show this thread
    3. The New York Times‏Verified account @nytimes Feb 18

      18. "Ganja & Hess" (1973): Directed by Bill Gunn, a fixture of the New York black independent film movement, the movie's a sensual, scholarly, magic-realist exploration of black history and black desirehttp://nyti.ms/2BMQKpU 

      8 replies 67 retweets 249 likes
      Show this thread
    4. The New York Times‏Verified account @nytimes Feb 20

      19. "Killer of Sheep" (1977): One of the essential films of American cinema, “Killer of Sheep” sings a song of love, family, brutalizing despair and ineffable, persistent human dignity.http://nyti.ms/2BMQKpU 

      8 replies 53 retweets 236 likes
      Show this thread
    5. The New York Times‏Verified account @nytimes Feb 20

      20. “Stir Crazy” (1980): For movie fans who came of age in the late '70s, Gene Wilder and Richard Pryor were an unparalleled interracial buddy act. As a director, Sidney Poitier shows a silly side behind the camera that he rarely indulged in front of it. http://nyti.ms/2BMQKpU pic.twitter.com/FK1z6SNplU

      27 replies 106 retweets 564 likes
      Show this thread
    6. The New York Times‏Verified account @nytimes Feb 21

      21. “Losing Ground” (1982): Identity is among the themes that wend through Kathleen Collins’s film, which feels just as personal and vital now as it did over 35 years ago.http://nyti.ms/2BMQKpU 

      6 replies 56 retweets 161 likes
      Show this thread
    7. The New York Times‏Verified account @nytimes Feb 22

      22. “She’s Gotta Have It” (1986): Spike Lee’s debut feature remains a loving, lovely portrait of black bohemia. (That said, the sexual politics may look problematic in hindsight.)pic.twitter.com/h1y1IpsZjp

      21 replies 52 retweets 247 likes
      Show this thread
    8. The New York Times‏Verified account @nytimes Feb 23

      23. “Tongues Untied” (1989): This passionate, angry mix of documentary, memoir and poetry is a milestone in both New Black and New Queer cinema.http://nyti.ms/2BMQKpU 

      9 replies 43 retweets 193 likes
      Show this thread
    9. The New York Times‏Verified account @nytimes Feb 24

      24. “House Party” (1990): The rap duo Kid ’n Play star in an exuberant teenage comedy that mixes rebellious mischief and respect for elders. http://nyti.ms/2BMQKpU pic.twitter.com/MF3f5kp1Ka

      15 replies 77 retweets 385 likes
      Show this thread
    10. The New York Times‏Verified account @nytimes Feb 25

      25. "Daughters of the Dust" (1991): Beyonce’s "Lemonade" sparked the latest revival of interest in this masterpiece, a beautiful work of historical reconstruction and feminist imagination.http://nyti.ms/2BMQKpU 

      10 replies 71 retweets 277 likes
      Show this thread
      The New York Times‏Verified account @nytimes Feb 26

      26. “Malcolm X” (1992): Denzel Washington dominates almost every frame of this electrifying epic, one of Spike Lee’s most enduring films. http://nyti.ms/2BMQKpU pic.twitter.com/I8sCIA1G0h

      4:20 PM - 26 Feb 2018
      • 180 Retweets
      • 602 Likes
      • Scullers Jazz Club 🤘🏽Jason⚽️Patlan🤘🏽 Morning Bird 🌹 GHOSTWRITER Denizcan Grimes Hailee Williams Ree Ree So L.A. Seattle Oasis Team Icon
      24 replies 180 retweets 602 likes
        1. New conversation
        2. The New York Times‏Verified account @nytimes Feb 27

          27. "Devil in a Blue Dress" (1995): As a man traverses both black and white L.A., the film offers up a rich vision of African-American life almost entirely absent from Hollywood’s fantasies. http://nyti.ms/2BMQKpU pic.twitter.com/Z5yuoCwUsN

          17 replies 70 retweets 281 likes
          Show this thread
        3. The New York Times‏Verified account @nytimes Feb 28

          28. “The Watermelon Woman” (1996): The moral of this movie is that “sometimes you have to invent your own history.” That idea is both heartbreaking and inspiring.http://nyti.ms/2BMQKpU 

          2 replies 41 retweets 101 likes
          Show this thread
        4. End of conversation
        1. New conversation
        2. John Hughes‏ @IntegralEarth1 Feb 26
          Replying to @nytimes

          A lot of people said this was A disappointing movie. I watched it four times, with relish.

          2 replies 0 retweets 4 likes
        3. Jan Marie‏ @SrLivingWatch Feb 26
          Replying to @IntegralEarth1 @nytimes

          I saw it twice. Not disappointed in the least. Just deeply moved.

          0 replies 1 retweet 3 likes
        4. End of conversation
        1.  💯%‏ @BallHogg33 Feb 27
          Replying to @nytimes

          Epic film

          0 replies 0 retweets 2 likes
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        1. Staci‏ @MsEbony23 Feb 26
          Replying to @nytimes

          And he STILL should have won the Oscar for that role

          0 replies 0 retweets 2 likes
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        1. 오고마다‏ @ogomada Feb 27
          Replying to @nytimes

          I love this film! ♥

          0 replies 0 retweets 1 like
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        1. NeW YORK HEADLINE‏ @newyorkheadline Feb 27
          Replying to @nytimes

          Good morning New York!pic.twitter.com/bGKRH7JA2W

          0 replies 1 retweet 0 likes
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        1. Jack‏ @Jack06658744 Feb 26
          Replying to @nytimes

          https://youtu.be/XHl1JnQoIWQ pic.twitter.com/JftHgtFzlS

          0 replies 1 retweet 0 likes
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        1. Paul Morelli‏ @PaulOPinion Feb 26
          Replying to @nytimes

          His best film.

          0 replies 0 retweets 1 like
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        1. Alicia Cruz‏ @Alicia_C_ Feb 26
          Replying to @nytimes

          He earned that Oscar. His compelling performance was above great! I love this movie.

          0 replies 0 retweets 1 like
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        1. Adv S Shelembe‏ @Mfa_Mpendulo Feb 27
          Replying to @nytimes

          Denzel is a perfect executioner

          0 replies 0 retweets 0 likes
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        1. Terri‏ @artytwin Feb 27
          Replying to @nytimes

          Just watched it a couple of weeks ago. Brilliant movie. Very well worth watching. The cinematography is extraordinary too.

          0 replies 0 retweets 0 likes
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        1. Doug Lambert‏ @DougLambert13 Feb 27
          Replying to @nytimes

          The film fictionalized his life. Read the book instead.

          0 replies 0 retweets 0 likes
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        1. Tracy‏ @ranotracoke Feb 27
          Replying to @nytimes

          An absolute must see! Going to the library to get it right now

          0 replies 0 retweets 0 likes
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        1. BeezusRibsy‏ @Beezus1776 Feb 26
          Replying to @nytimes

          Malcolm said that blacks who voted for democrats were traitors to their race. He was right.

          0 replies 0 retweets 0 likes
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