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For the love of music.
NYC and Washington, D.C.npr.org/musicJoined February 2008

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One of those week's where you wish there was a director's cut of our conversation, which lasted a full hour. Alas! I'm on the pod this week to talk about Raye's My 21st Century Blues and Young Fathers' Heavy Heavy, two albums I will be revisiting all year
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It's the first New Music Friday of the month and here's what we're listening to: 🎙 RAYE, 'My 21st Century Blues' 🖤 SYML, 'The Day My Father Died' 🥁 Joe Chambers, 'Dance Kobina' ✨ Young Fathers, 'Heavy Heavy' 👑 Shania Twain, 'Queen of Me'
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It's the first New Music Friday of the month and here's what we're listening to: 🎙 RAYE, 'My 21st Century Blues' 🖤 SYML, 'The Day My Father Died' 🥁 Joe Chambers, 'Dance Kobina' Young Fathers, 'Heavy Heavy' 👑 Shania Twain, 'Queen of Me'
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10 years ago, My Bloody Valentine released 'm b v,' which has really held up, I think... more than I initially thought it would. At the time, , and I spent the weekend writing notes to each other about bent experiences.
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“Whenever I go on stage, I do amplify Black composers, Black women, lyricists and composers and pay honor and respect to them,” says jazz singer Samara Joy (). Watch Joy's conversation with on the newest episode of Amplify.
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"It's amazing to me that he's taken our story and moved forward with it," Allen Shiroishi, Patrick's father, says. "He's not just doing music, but mastering the history behind it."
(Photo: Sean Hazen for NPR)
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Once Patrick Shiroishi learned that his grandparents met at Tule Lake, the largest of the U.S.'s 10 so-called War Relocation Authority camps, he began to consider their story through ambient music and free jazz.
(Photo: Sean Hazen for NPR)
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Shiroishi was born into a bifurcated identity, into the tension between understanding his ancestral roots and his compulsion to assimilate. "I don't think I wanted to be Japanese," he says.
(Photo: Sean Hazen for NPR)
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Patrick Shiroishi released 19 albums in 2022; at least three were standouts in their respective fields, in part because of the questions of identity they examine.
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The Dessoff Choirs has a profound simpatico with Margaret Bonds’ mature compositional style, a glowing synthesis of African American and European concert music — never more stunning than on her late work 'Credo,' the centerpiece of a new album.
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