One the best qualities of Greek is its ability to interrupt itself.
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This is very interesting. The benefit of the inflected language is that it needn't break syntax in order to express parataxis. But I think Celine goes too far often. Holderlin's parataxis is interesting too.
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Especially after his middle period, Céline becomes barely readable due to extreme parataxis, and a work like D'un château l'autre reads like a psychotic breakdown, as it has entirely relinquished the concept of sentence.
End of conversation
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