-
-
3. A recent font developed for e-ink displays, sent to me by its authors, Dave Vondle and Nicholas Zambetti.pic.twitter.com/x9E9PWN6BH
Show this thread -
4. An asymmetric font from 1958. Only digits were specified – check out that “4”! – so I extrapolated to the entire alphabet.pic.twitter.com/ktwTY6Ohf5
Show this thread -
5. And, lastly, an amazing discovery: A 1956 font by Fred P. Brooks, Jr. – the author of “The Mythical Man-Month”! It’s actually a bit of a cross between Nixie and segment font (overlapping segments), and it is an absolutely GORGEOUS art deco font. Look at those digits!pic.twitter.com/TTadostDMC
Show this thread -
As expected from a programmer, all the glyphs were specified as data, which I keyed in. As expected from a programmer, there were bugs. :·]pic.twitter.com/tQGTWgDwzY
Show this thread -
If I’d want to turn either of these into a real font, this would be it.
Show this thread -
There’s something really thrilling about bringing these long forgotten (155 years!) entities back to life. Thanks again to
@obra and others who helped in finding those!Show this thread -
My friend
@julesforrest found a brilliant example of a different kind of segmented typography: digits made out of pipe fragments and connectors.pic.twitter.com/tQvy9ufA3s
Show this thread
End of conversation
New conversation -
-
-
I KNOW
End of conversation
New conversation -
-
I am now convinced someone must have developed a font style with polar coordinate instead of orthogonal for use one early vector displays
Thanks. Twitter will use this to make your timeline better. UndoUndo
-
Loading seems to be taking a while.
Twitter may be over capacity or experiencing a momentary hiccup. Try again or visit Twitter Status for more information.
Thanks.