(Note: There’s recent evidence that AZERTY and QWERTZ were very intentional, even if they look just like lazily modified QWERTY.)
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Replying to @mwichary
For those with a few more diacritics (e.g. Czech), an option is to add a dead key to help put together more letters than keys.pic.twitter.com/MdgV2y1T42
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Replying to @mwichary
That idea is taken a bit further for scripts that combine letters more extensively, e.g. Bengali (the world’s 5th most used writing system.)pic.twitter.com/voT6wn0Zrx
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Replying to @mwichary
Bengali is also a good reminder that not all digits look the same (here, 4 looks like Arabic 8, and only 0 might look familiar outside).pic.twitter.com/04hM0oR2px
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Replying to @mwichary
This is not the mechanical world of typewriters, so Finnish can add one more column, making the keys a bit narrower. Turkish adds two!pic.twitter.com/sNFB8dq7QA
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Replying to @mwichary
On the other hand, Greek feels pretty sparse, at only 24 letters. It’s the most relaxed keyboard of them all.pic.twitter.com/RC47ZulskZ
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Replying to @mwichary
Traditional Chinese zhuyin has four rows of keys, not three. And Thai is even more packed.pic.twitter.com/1H70RvizgO
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Replying to @mwichary
iOS Zhuyin still has a hidden three row smart suggested layout, used to be the default but wasn’t well-received for being different.
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Ah, I see. Is that what they call “dynamic”?
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Replying to @mwichary
Yup. People hated it cause the keys change as you type. Good intentions, bad UX.
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Yeah, I’ve noticed that it did it even though I didn’t understand much else!
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