There are moments in the movie where Jobs’s actions start and stop incidental music, to emphasize his oversized influence on the universe.
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Replying to @mwichary
The first act is filmed on 16mm, the second 35mm, the last on digital, to evoke a certain feeling of each era.
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Replying to @mwichary
The typography matches as well, from a vectorized Chicago early on, to Garamond in the last act.
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Replying to @mwichary
Not to mention so many delightful mini cuts that punctuate the movie. (Like the cut to embracing Lisa when Jobs is “draining his brain.”)
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Replying to @mwichary
The first part’s music is done on a synthesizer used by Vangelis, in a nod to Chariots of Fire theme used for the iconic 1984 Mac ad.
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Replying to @mwichary
Apparently one of the cut lines was “There’s no way this isn’t my daughter,” right after Lisa makes a joke about iMac’s looks.
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Replying to @mwichary
(It was very powerful, and yet it was cut because it would undermine/oversell their later rooftop conversation.)
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Replying to @mwichary
So many interesting and tough decisions about what to cut in other places in the movie, too.
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Replying to @mwichary
Example: Last argument between Woz and Jobs ends with Woz having the last word – not in the original script – to emphasize Jobs’s growth.
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Replying to @mwichary
A lot of red background lights in the second act, since it’s the Revenge Act. All the tiny decisions adding up to a great whole.
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Thanks to @slashfilmcast for inspiring me to buy the “Steve Jobs” Blu-ray!
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