“None of this has happened, but all of this is true” is the best take summarizing my conflicted feelings about Sorkin’s Steve Jobs movie.
-
-
The typography matches as well, from a vectorized Chicago early on, to Garamond in the last act.
-
Not to mention so many delightful mini cuts that punctuate the movie. (Like the cut to embracing Lisa when Jobs is “draining his brain.”)
- Show replies
New conversation -
Loading seems to be taking a while.
Twitter may be over capacity or experiencing a momentary hiccup. Try again or visit Twitter Status for more information.