As Jonas was teaching the front-end and back-end to talk to each other, I explored the design in more details.pic.twitter.com/8lLEfrtldF
Writing a book about the history of keyboards: http://aresluna.org/shift-happens · Design manager @figmadesign · Typographer · Occasional speaker · He/him
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As Jonas was teaching the front-end and back-end to talk to each other, I explored the design in more details.pic.twitter.com/8lLEfrtldF
The initial attempts to wire things together didn’t go well
, but eventually we got it running.pic.twitter.com/hUWLUlkhXt
(You might also notice the code name Spartacus, which is my stupid inside joke – I try to have a project codenamed Spartacus at every place I work. I think this is the fourth one?)pic.twitter.com/Po5mC7EQWU
Anyway! As we dove deeper, we started peeling off more interesting challenges. Here are some decisions we discovered we needed to make.
Should we fuse or keep separate the same colour with different transparencies? (We went with keeping them separate.)pic.twitter.com/vdNPMInk3K
What do we do with gradients? (We decided to grab the individual colours from gradients and treat them as if they were independent.)pic.twitter.com/cXuGlp9SKd
How do we sort styles and colours? I knew sorting colours in one axis is its own area of science (there is a different story here how I learned it the hard way) – but fortunately, we already had that solved in Document Colors.
We also decided to hide colours from hidden layers, masks (but not masked objects), layout grids, and effects like shadows. They all seemed to exist in unrelated – or inconsequential – universes and would just pollute this space.pic.twitter.com/LJqNg4rnI5
Of course, we also had to decide on where to put SC itself, how often it should trigger (too often = overwhelming, not often enough = undiscoverable), and what was our overflow strategy.pic.twitter.com/KgCIXJyrfF
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