The Last Steps: A short movie (free to watch) documenting the Apollo 17 flight, made by the same crew as “Apollo 11.” It’s nice on its own, but particularly fascinating as a prelude – a “dry run,” in words of the composer – to the main event.https://vimeo.com/192013765
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What We Left Behind: That this is a weird documentary becomes clear within the first five seconds. But that’s a great thing – and this recent retrospective on Deep Space Nine (best Trek!) is also rather lovely, and *very* lively, and I’m glad I watched it.pic.twitter.com/TFezAXo6Qv
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Too Funny To Fail: For some reason, I love the inner workings of comedy, and this was a slice I haven’t been familiar with before (Carell! Colbert!). I hope someone makes a movie about The Chevy Chase Show next. (Yeah, I know, I need to get back to more serious documentaries…)pic.twitter.com/UyLDrG8SvB
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General Magic: This was a really frustrating movie. I learned a lot, and it’s an interesting story filled with fascinating people – but I could do without the glamorization of failure and unhealthy work/life balance, and cherry-picking of influence.pic.twitter.com/zEgiabOVYU
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Linda Ronstadt: The Sound Of My Voice: I don’t know if I’ve ever heard of Linda Ronstadt before. After watching this movie, I’m quite puzzled – she seems like a really interesting and very talented person, with an amazing musical career filled with so much acclaim.pic.twitter.com/01W8XPRat2
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Neon: I saw this 2014 documentary about Warsaw’s neons at
@TLMuseumSF tonight and it was utterly captivating – a rich history of my home country’s capital seen through the lens of one surprising group of artifacts.pic.twitter.com/iBZ2Vsg5RG
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Hearts and Minds: A brutal, relentless anti-war movie. Powerful storytelling achieved solely by editing and careful (and sometimes manipulative) juxtapositions.pic.twitter.com/xe975HQZJc
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Framing John DeLorean: I had no idea of the wild and complicated twin stories of John DeLorean and his eponymous car – IRA! Margaret Thatcher! FBI! Cocaine! Mostly enjoyable, although making actors participate in storytelling *as actors* felt like a rather weird choice.pic.twitter.com/xftrJZHD2X
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Show Me A Hero: Rewatching this underrated docudrama miniseries about racial tensions, public housing, and urban politics of Yonkers, N.Y. 30 years ago. It’s very, very good, in the vein of The Wire – dense, written by David Simon, and with an excellent cast.pic.twitter.com/aLAJ8232UU
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When They See Us: I decided to watch this docudrama this weekend as part of my education. It’s about the injustice and entrenched institutional racism underlying the 1989 NYC Central Park Five case, and I would encourage you to watch it, too – it’s on Netflix.pic.twitter.com/59o00vGj8r
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Do Not Resist: A 2016 documentary about the militarization of the police in America. Maybe more relevant today than it was then. It weaves through Ferguson, protests in general, some pretty gross glorification of violence, James Comey (oof), and surveillance.pic.twitter.com/ixwmo790re
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Selma: Somewhat embarrassed how little I knew about this moment in American civil rights history.pic.twitter.com/4q9DLDNkdV
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The Force: A brutal fly-on-the-wall examination of the Oakland Police Department, mired in one awful scandal after another despite being under 13-year-long federal oversight, and having undergone a series of reforms.pic.twitter.com/oFCB4xIsC0
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The Way I See It: I wished this documentary about the job of the official photographer of Barack Obama’s presidency went even deeper into the responsibilities of photojournalism, but still: the photos are so incredibly great, and remembering Obama as a president? Heartwarming.pic.twitter.com/liRP8uapbU
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Feels Good Man: This is a documentary about Pepe, the infamous mascot. I found the movie surprisingly good and deep: Visually fascinating, surreal, absurd, and wild towards the end, but also with a great amount of humanity throughout.pic.twitter.com/A9s29D8m1G
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