The nomination phase for the 2022 MEI Board elections has started. Visit music-encoding.org/update/2022/11 for the full call and submit your candidates via forms.gle/oAB1HaBya3BAyz
#MEI_Board #elections2022
Music Encoding’s Tweets
Thanks for these lovely days at the MEC at . Happy to collaborate with you in building a LatAm community 🥳 and special gracias to #jenniferbein and
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Just announced that MEI 2023 will be a joint conference with our friends at TEI and will be held in Paderborn in September 2023! More details will be shared soon. ( ) #mec2022
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#MEC2023 will be hold at the University of Paderborn as a JOINT conference of #MEC and #TEI (). Save the date: September 4-8, 2023
#musicencoding #textencoding
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Halifax, CA, is a great venue for #mec2022. They even have an own #MEC building.
(Photo: )
#musicencodingconference #moutainequipmentcompany
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#mec2022 Rachel McNellis also notes the digital preservation challenges that large collections of data in various and evolving formats pose.
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Fantastic dive into history of optical music recognition (#OMR) by including this "reading" and "playing" WABOT 2 from 1984(!)
Source: scaruffi.com/mind/ai1970.ht
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Closing keynote of #mec2022 by : "Optical Music Recognition Workflow for Neume Notation and its Encoding" including observations on "how we teach machines" (#mechagogy)
#musicencoding #digitalmusicology #OMR
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#mec2022 Thoroughly enjoying Paul Gulewycz's presentation on watermark identification and description.
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#mec2022 Louis Garczynski presenting a fascinating platform for synchronizing scores, playback, and other visual representations: dezrann.net
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#mec2022 Mention of Linked Data and Linked Jazz in audience questions; Social Networks and Archival Context project allows view of personal networks (and associated archival collections) on a grand scale. snaccooperative.org
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Joy Calico mentioned and my projects which we'll be presenting on in more detail on June 11 at the Teaching Music History Conference (teachingmusichistory.com/2022/03/19/tmh) #MEC2022
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#mec2022 It's come up more than once that notation itself is a form of encoding, which foregrounds the idea that we're translating between different encodings.
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Second panel of #mec2022 discusses today's connection between #musicology and #musicphilology and how digital transformation can help to address and make visible diversities, multi-modalities, and cultures of music and musicking.
#digitalmusicology
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Great panel this morning on "Musicology and Music Philology. Can digitization revive an old connection?" with Johannes Kepper, Christine Siegert, Andreas Münzmay, Joy H. Calico and Richard Freedman #MEC2022
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First panel of #mec2022 live right now. , , Nevin Şahin ( ) and AxelBerndt () discussing the question if common semantics in diverse musics could be shared via #MEI.
#musicencoding #tablature #ottoman #electroacoustics #mensural
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And here we have its counterpart from Middle Byzantine neume notation: the (half) "happy neume". (presented by Polykarpos Polykarpidis).
#mec2022 #musicnotation #Emojis #musicencoding #happyneume
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How can #DigitalHumanities projects achieve sustainability? Jessica Grimmer now sharing results of a large sustainability study of DH communities including the #MEI.
#mec2022 #communitybuilding #musicencoding
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#mec2022 Thought-provoking presentation from Jessica Grimmer on the dynamics of the music encoding community and how they inform the sustainability of the initiative.
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Rethink history of emojis? presenting the "sad neume" from #Armenian medieval notation.
#mec2022 #musicnotation #emojis #musicencoding #sadneume
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and Haig Utidjian now discussing the applicability of the #MEI Neumes Module to Armenian Medieval Neumes.
#mec2022 #musicencoding #
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Petter Ericson presenting #MuseReduce, a tool developed at for supporting Schenkerian analysis reductions from #MEI files. dcmlab.github.io/reductive_anal
#MEC2022 #musicencoding #digitalmusicology
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#CRIM Intervals project uses #CRIM infrastructure, #music21, pandas and jupyter notebooks for musical and network analysis of cadence functions and cadences. sites.google.com/haverford.edu/
#mec2022 #digitalmusicology
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very insightful talk about medieval cantigas, digital information, accessibility (open access), and management by 🌻 #MEC2022
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encouraging the Music Encoding Community to provide situated materials to bridge cultures and communities. "We are eager to start with #musicencoding".
#mec2022 #keynote
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invites everyone to the Congresso Internacional de la Asociación Argentina de Humanidades Digitales to be held on November 17-18, 2022, bit.ly/aahd2022 #MEC2022
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Love 's comparison of digital humanities to Ernesto Oroza's definition of "architecture of necessity" #MEC2022
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Context is very important - great tutorials (OERs) from Programming Historian were rewritten with hardware and software constraints or practices in Latin America. Macs prevalent in US / but Linux/PC mainly in Latin America #MEC2022
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: Bridging languages and (research) cultures not only a question of #translation, but more often of re-situating content, contexts and #communities
#mec2022 #keynote
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Built the Humanidades Digitales hdlab.space in Argentina - based on open research practices in DH #MEC2022
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Hence the need for minimal computing!! Need to own content, context, and create community! #MEC2022
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Diálogo Medieval was one of her early projects. sharing why this failed 1) proprietary software ($$) 2) lack of institutional support 3) expensive to support due to heavy infrastructure #MEC2022
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started an organization in her home country of Argentina (Asociación Argentina de Humanidades Digitales aahd.net.ar) in order to continue her own work in DH but to also develop a community of like-minded scholars #MEC2022
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explains how on her path to becoming a researcher she discovered that philological approaches were not enough to study cantigas seguidas; needed to incorporate musicoogical methods #MEC2022
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