If Mike Pence loved the President, he would cut down that Internet.
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Okay I stopped following CWC stuff in like 2010 but apparently she's making new Sonichu comics again and I have to see them. Apparently there's a gay pride parade in CWCville in the new run, which is astonishing considering when I was following Sonichu, Sonichu had cured gayness.
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With every fiber of my heart, I believe that Sonichu is worth reading for what it says about loneliness. Everyone faces pain and everyone has to deal with that pain. In some ways, Sonichu is what taught me empathy. In some ways, Sonichu is what taught me to be human.pic.twitter.com/w50tI11RP8
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Okay I'm not going to livetweet my experience reading all of this but she put her late father in this picture and if that doesn't make you cry a little bit then you do not have a soul.pic.twitter.com/5AIf0Kzmmv
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The thing is, although CWC wants people to read this comic, it feels like something we should not intrude on. It feels invasive to read. This is an abused woman's life played out in fiction, like the better works of Kathy Acker.pic.twitter.com/IFXvHJalKZ
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CWC came out in her mid thirties after a lifetime of vicious harassment. I think in a perverse kind of way her first experience attending a Pride event and being accepted probably did feel like being a magical electric rat creature soaring across the sky to create a rainbow.pic.twitter.com/xt3oA8s3WS
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One of the morally ambiguous factors of outsider or naive art is the invitation - taken even if it is not offered - to psychoanalyze the artist as an unseen object. Picasso, as a wealthy, powerful man, could weather any viewer's half-formed assumptions. CWC never had that luxury.
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In fact - to backstep a little - this speech bubble is still beating the conceptual shit out of me. It demands so much of the reader that no one could reasonably be expected to know, BUT WE DO KNOW IT. There are multiple online resources dedicated to cataloguing what this means.pic.twitter.com/ZuXIBjOA1u
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In any other work, I'd consider it a charming cul-de-sac, an artist drawing me into an imagined friendship, but CWC really has existed in a bizarre dialectic of fan obsession for years with the crucial difference that it's an adversarial relationship that feeds into itself.
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it's as close as we can get to watching someone make their action figures go pew pew! pew! pew!!pic.twitter.com/1c0sOijzzq
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