Contemplative fieldnotes: My brother - a musician - asked me how he would go about using music to train attention. Playing around, using this masterpiece from James Holden - Renata https://youtu.be/2FmFXQSIzCo If anyone has played with music + meditation let me know.
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Replying to @misen__
Music is great; I use it all the time with meditation. AMA.
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Replying to @Triquetrea
Cool. It's a really broad topic so I suppose broad questions might give you some space to riff on whatever it is you've found helpful: - How do you like to use it? What functions does it serve? - Do you use specific focus strategies, or not? - What pitfalls have you found?
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Replying to @misen__
Answers in same order: I use it as a warmup/for doing rapid alterations between broad/narrow attention. I'll often pick a song with a strong percussive bass/drum line that occasionally disappears. While it's there, focus on the percussion. When it's gone, open up to everything.
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Replying to @Triquetrea
Yes the spatiality aspect - broad/narrow, inclusive/exclusive, etc - seems like a key strength in using music, and pretty accessible to the beginner, eg: brother immediately grokked what I meant when I said something like, 'open to the experience of silence in which sounds arise'
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Replying to @misen__ @Triquetrea
I rarely use music in sitting practice, and I don't do a lot of other 'sound based' practices - mantra, chant, song.... But I've used it for 'trigger practice' as Shinzen would call it - which allowed me to untangle a lot of the 'sensory overload' that many aspies experience.
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Replying to @dys_morphia @Triquetrea
I can. I noticed that if I was somewhere really loud my body would get tense, stomach would knot up, etc. But then one day I went to a Hookwoorns gig - very loud - and all the emotional energy in the body, anxiety and discomfort etc, began to change into intense pleasure....
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This was really instructive to me. I had read about transforming emotion, but this was a dramatic change. So then I began trying to recreate similar emotional reactions using music & environment and then used that as a training in noticing the connection between noise and body.
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Over time, I was able to better see through the components of sensory experience, with sufficient equanimity and stability of attention that a significant amount of the internal friction was ameliorated. Sensory overload can still happen if I’m not careful. But range is improved
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But now I have a better understanding of how that occurs and what to do with it. I hope that answers your question. I apologise if it isn’t clear. This is also pre-coffee, so I may be quite foggy. Feel free to DM me if you want to chat about it. It’s a tricky subject.
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