Cool feature that allows you to legally use commercial music clips in your podcast (which hasn’t been possible up until now).
BUT... this only works if you distribute your show exclusively to Spotify (won’t work with @ApplePodcasts, @OvercastFM, @pocketcasts, @CastroPodcasts).https://twitter.com/mignano/status/1316371730605187072 …
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I’m not going to lie: Spotify’s move to become the end-to-end, integrated “YouTube for podcasters” scares me. We’ve seen what happens when one megacorp™ owns everything: they use that leverage to pay creators less. Ultimately, for creators, open is better than closed.
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When you control the primary distribution channel (like YouTube does), you can: 1) Apply downward pressure on CPMs anytime you want. 2) Decide who gets featured, and who doesn’t. 3) Not allow creators to take their subscribers to other platforms.https://www.tubefilter.com/2020/04/16/creators-disclose-declining-adsense-rates-coronavirus/amp/ …
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This is something
@hankgreen talked about on@nwquah’s show: Right now, podcasting is a unique, quirk, creative community (with multiple ways for podcasters to monetize). If Spotify owns the whole channel, creators lose their autonomy.https://overcast.fm/+cIA1PNoN02 odpowiedzi 0 podanych dalej 11 polubionychPokaż ten wątek -
Paraphrasing
@SethGodinBlog: “If you own the channel, you have something that creators don't have – the Means of Distribution. Then, you can pit creators against each other, and they’ll work for lower rates.” Creators lose, and the platforms (Spotify and YouTube) profit.2 odpowiedzi 0 podanych dalej 10 polubionychPokaż ten wątek
Justin Jackson podał/a dalej Justin Jackson
Once a platform has a monopoly, the question isn’t *if* they’ll pay creators less, it’s when.https://twitter.com/mijustin/status/1263534522722738176?s=20 …
Justin Jackson dodał/a,
Wydaje się, że ładowanie zajmuje dużo czasu.
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