Coprime periods were the subject of my first (1975) baccalaureate dissertation - minimising crosstalk and maximising the number of independent AM audio channels in a medium.
Brian May with a beautiful insight for how to get the "stomp, stomp, clap" to sound grand in "We Will Rock You": choose echo delay lengths which are guaranteed to be co-prime to one another: https://www.npr.org/2018/11/09/666197208/queen-guitarist-brian-may-on-writing-anthems-and-studying-astrophysics?utm_campaign=storyshare&utm_source=twitter.com&utm_medium=social … (via @JimPropp)pic.twitter.com/FBTx4dz3l8
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I'm sure that's impressive if I understood more of the words in that tweet :)
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