of course he was also well into fluids, and made his own visualisations. MSAFluid ftwpic.twitter.com/KE6TsH2Xt4
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artist. musician. researcher. curious. philomath. nature×tech×science×spirituality×ritual. PhD AI×expressive human-machine interaction. I like to touch people.
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of course he was also well into fluids, and made his own visualisations. MSAFluid ftwpic.twitter.com/KE6TsH2Xt4
These
visualised motion trajectories, most over a century ago! So we didn't want to just do that, but we wanted to extrapolate & dramatise. A key inspiration came from Marcel Duchamp's "Nude descending a staircase no 2" (1912), which in turn was openly inspired by Muybridge...pic.twitter.com/84YOB5GAx8
We decided to invent imaginary fictitious universes in which the laws of physics & space & time are different (but similar) to ours, & we would place each movement in such a universe. We would design each universe (for each movement) to amplify the qualities of the movementspic.twitter.com/2Yc4eQYqXD
At the time (2010-2011) my work was already motion studies driven (with lots of particles & fluids :) but 2D or *realtime* 3D (v diff to high end 3D). e.g. http://www.memo.tv/portfolio/reincarnation/ … http://www.memo.tv/portfolio/depeche-mode-fragile-tension/ … similarly with Quayola https://quayola.com/work/video/natures.php … https://quayola.com/work/selected/strata-1.php …pic.twitter.com/BDRGrwPvzC
Demo scene gurus like Matt "Smash" Swoboda was killing it in realtime https://vimeo.com/12108035 etc, but we saw
https://vimeo.com/27431307 by @YUJAEHO (emfluid by Eric "mootzoid" for #SoftImage) & thought YES, we need some of that HIGHEND VFX. (Realtime couldnt reach this Q in 2011)pic.twitter.com/Cuh83yFiEX
I'd always wanted to learn @sidefx #Houdini, & there's nothing like a project & a deadline to force you to learn. We saw
by @Teresuac & it was
at first sight. We were lucky enough to fly him over to give us a 2 week crash course & help start the prj.
https://vimeo.com/21025516 pic.twitter.com/2rIe1c01JY
(I'm also very happy that Maxime @Teresuac went on to make award winning animations of his own, including the stunning "Order from Chaos" for @maxcoopermax https://vimeo.com/196269431 pic.twitter.com/cebYJ432O8
There were of course many other inspirations, but these are the key ones. I guess one conclusion I can draw is, the more varied inspirations you can pour into the melting pot that is your brain, the more likely the output will be more unique (and arguably, more 'you').pic.twitter.com/cngIRDsVMP
This is probably why I'm more interested in #DirtyData & diversifying the training set of an artificial neural network. If you train a #GAN on X you'll get more X. That can be fun, but if you train on carefully selected X & Y & Z & ??, the output is more likely to be more unique!pic.twitter.com/ORIITT3qUc
MEMO M̸e̵h̶m̸e̸t̶ ̴S̴e̷l̴i̷m̸ ̵A̸k̶t̴e̷n̶ je proslijedio/a tweet korisnika/ceMEMO M̸e̵h̶m̸e̸t̶ ̴S̴e̷l̴i̷m̸ ̵A̸k̶t̴e̷n̶
(this whole thread was supposed to be in response to this
, not sure why it broke)https://twitter.com/memotv/status/1218780917021327360 …
MEMO M̸e̵h̶m̸e̸t̶ ̴S̴e̷l̴i̷m̸ ̵A̸k̶t̴e̷n̶ je dodan/na,
(FORMS was commissioned by @mediamuseum for the "In the blink of an eye" exhibition in 2012, looking at how artists, scientists, engineers throughout history tackled the topic of movement. If you're interested in the subject, lots more links at
https://www.scienceandmediamuseum.org.uk/what-was-on/blink-eye … )
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