I'm not sure I could pick out a single Taylor Swift song with 75% confidence if they were streaming by, but I'm two minutes into the netflix documentary, and it might actually be a psychologically nuanced character study. We shall see.
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Somehow I know by osmosis that it is known that she writes all her own songs? Ok, I like this so far because, in addition to the the self-aware-self-aware [sic] people-pleasing thing, you get to see the slow, painstaking accumulation of skill over many years.
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It's painful that not everyone gets such an opportunity, to have the resources to relatively ego-syntonically, narrowly hone skills over decades to become one of the best in the world at a thing, but it's also beautiful and satisfying to get to see it happen.
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So now I'm like 20 minutes in, and when someone with that amount of resources (I think? Yes and no?) experiences psychological trauma, what do they do? What can and can't they reach for that someone at a desk job can or can't reach for?
1 reply 0 proslijeđenih tweetova 1 korisnik označava da mu se sviđaPrikaži ovu nit -
This is weird because I don't follow music at all so this feels like I'm peering into a fictional universe with a fictional news cycle.
1 reply 0 proslijeđenih tweetova 1 korisnik označava da mu se sviđaPrikaži ovu nit -
Hmm approval hedonic treadmill. Hmm approval scale insensitivity. likes ~ fame
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So deep.


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It is challenging to parse out the manifold layers/levels of self-awareness that everything is operating at to ascertain the real things amidst a real hall of mirrors that are itself constitutive of that real thing. But then I still think there's more, the invariant heartline.
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that invariant heartline where everything comes to rest and then pure motion, pure action
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**so*
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She is 30 and she has an iPhone and self-reflection. The possibilities are endless! Director Lana Wilson. Am I being ironic? How do you tell?
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er. Things:
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spiritual consulting
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shamanic support (online/IRL)
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hardcore meditation on-ramp & community
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shitposts