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mattzollerseitz's profile
MZS
MZS
MZS
@mattzollerseitz

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MZS

@mattzollerseitz

NY Mag TV critic. Editor-at-large, http://RogerEbert.com . The Wes Anderson Collection, Sopranos Sessions. Film & TV bookstore here: http://mzsworldstore.com 

NYC (and Cincinnati)
rogerebert.com/mzs
Joined April 2010

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    1. MZS‏ @mattzollerseitz 26 Jul 2019

      I might watch a Robert Altman movie tonight to reset my brain.

      25 replies 3 retweets 194 likes
      Show this thread
    2. MZS‏ @mattzollerseitz 26 Jul 2019

      I went with CALIFORNIA SPLIT.pic.twitter.com/oW8aSoA16A

      15 replies 1 retweet 186 likes
      Show this thread
    3. MZS‏ @mattzollerseitz 27 Jul 2019

      I miss movies that felt like this.pic.twitter.com/Rasj5dyWUt

      14 replies 20 retweets 328 likes
      Show this thread
    4. MZS‏ @mattzollerseitz 27 Jul 2019

      Glad I watched California Split again. It’s so rare to see a fiction movie that consists of adult people simply behaving, and you get to observe them in their environment as if you’re watching a documentary. I wish it were possible to make movies like this with an actual budget.

      4 replies 2 retweets 67 likes
      Show this thread
      MZS‏ @mattzollerseitz 27 Jul 2019

      Also, 13 years after his death, I still not think enough has been written about Robert Altman‘s radical use of multi track sound recording and overlapping dialogue. Even the bravest filmmakers don’t have the nerve to do what he did with sound.

      10:55 AM - 27 Jul 2019
      • 12 Retweets
      • 129 Likes
      • Citizen Keith Joel Duncan Harrison Florian Titus Ardelean cronenberg wound Marshall Allman Vanessa Arzate C Crane HBO's wig budget
      9 replies 12 retweets 129 likes
        1. New conversation
        2. MZS‏ @mattzollerseitz 27 Jul 2019

          Shout out to my old film professor Martin Rubin, who now works at the Gene Siskel Film Center, who showed California Split to a film class I was in circa 1990. It was 16 mm “squeezed” print and I had to put an anamorphic lens on the projector.

          1 reply 0 retweets 28 likes
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        3. MZS‏ @mattzollerseitz 27 Jul 2019

          Is there an African-American equivalent of Robert Altman? I feel like the closest might be Charles Burnett but he has really never done that panoramic jumble of life thing. Parts of Coogler’s Fruitvale Station hit that sweet spot for me.

          13 replies 0 retweets 39 likes
          Show this thread
        4. MZS‏ @mattzollerseitz 27 Jul 2019

          Mood:pic.twitter.com/FPtUKgTtaR

          2 replies 1 retweet 36 likes
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        5. MZS‏ @mattzollerseitz 27 Jul 2019

          Quite a '70s image here. Your eyeballs might turn into polyester or corduroy looking at it.pic.twitter.com/BLNUACUrde

          4 replies 0 retweets 36 likes
          Show this thread
        6. End of conversation
        1. David Bowman‏ @dlbowman76 27 Jul 2019
          Replying to @mattzollerseitz

          (Mental note: need to rewatch MASH and *really* listen to it.)

          0 replies 0 retweets 0 likes
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        1. Nathanael Hood‏ @NateHood257 27 Jul 2019
          Replying to @mattzollerseitz

          A LOT of modern filmmakers wouldn’t have the nerve to do a LOT of things Altman did.

          0 replies 0 retweets 3 likes
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        1. Christian Ramírez M.‏ @Civilcinema 27 Jul 2019
          Replying to @mattzollerseitz

          Robert Kolker's essay in his Cinema of Loneliness book and David Self's Subliminal Reality cover that area nicely. Bests Altman's texts all around.

          0 replies 0 retweets 1 like
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        1. Barry Lincoln‏ @Doug_Duke 27 Jul 2019
          Replying to @mattzollerseitz @LaFamiliaFilm

          Not enough talk about him period, the man is one of the all time greatest. 70’s Altman alone is literally some of the greatest films you’ll ever see. 👑

          0 replies 0 retweets 1 like
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        1. 𝚁𝚞𝚋𝚒𝚗 𝚂𝚊𝚏𝚊𝚢𝚊‏ @rubinsafaya 27 Jul 2019
          Replying to @mattzollerseitz

          The scene with Charles Champlin, Burt Reynolds, Tim Robbins and Brion James at Geoffreys in THE PLAYER is a masterful example.

          0 replies 0 retweets 0 likes
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        1. Anthony Peduzzi‏ @APeduzz 27 Jul 2019
          Replying to @mattzollerseitz

          Back in school, I had a professor who told us that Altman was a master of a very specific special effect. He didn't elaborate until after he screened Nashville and it's seemingly endless dialogue tracks. To this day, I haven't seen so many people's brains simultaneously melt.

          0 replies 0 retweets 3 likes
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