American Cinematographer had a good write up on this movie too but this one is far more in depth, thanks for sharing. Those insane wides they shot really stood out.
After watching The Killing of a Sacred Deer I was super curious about the lens choices. This is from Kodak so there’s a lot about the decision to shoot on film but it also mentions lighting and lenses: https://www.kodak.com/gb/en/motion/blog/blog_post/?contentid=4295005986 …
-
-
-
I’ll have to find that American Cinematographer write up. The wides seemed to always be shot high or low too. Felt like the camera was creeping in the corners.
- Show replies
New conversation -
Loading seems to be taking a while.
Twitter may be over capacity or experiencing a momentary hiccup. Try again or visit Twitter Status for more information.