OBS tip: if you want to use video sources (or Stinger wipes) with pixel-perfect display and alpha channels, use the ffv1 codec. It supports RGBA, so it plays well with PNGs and other RGB content. ProRes 4444 on the other hand has some nasty chroma siting issue.
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Replying to @marcan42
How did you even counter this? So many of your obs issues seem to resolve around high quality output, but honestly I feel like I can't imagine the usecase you're hitting given the endpoints for content consumption.
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Replying to @modwizcode
You need pixel perfect mixing to line up overlays and transitions and stuff like that. Even if the output gets muddied by compression on the way to Twitch, seams are still very obvious and visible, as is chroma suddenly being messed up horizontally.
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Replying to @marcan42
Fair, I'm just wondering why other people aren't noticing, also wondering how prores encoding is involved, is that the source?
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Replying to @modwizcode
There are few video formats that support alpha channels properly, prores is one of them (and commonly used e.g. with After Effects).
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Replying to @marcan42
Okay fair point. I still don't understand why the aac codec/obs people got into a fight with you rather than actually doing anything
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Replying to @modwizcode
The ffmpeg dude who dismissed everything was, shall we say, a "known colorful" personality in the project (and several other ffmpeg devs apologized for him). The aac encoder dev I think is actually looking at some improvements now, so it might get better.
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Replying to @marcan42 @modwizcode
Does ProRes specify an alpha encoding? I checked the white paper and found nothing stipulating the type of alpha, whether associated or unassociated?
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There is an ALFA udta atom in such mov files, I'm not sure who specified it but at least Adobe uses it.
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