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Also, given that video... that's the DPCM DC offset being used to fade the tri/noise channels out, isn't it (TIL that's a thing)? And otherwise using that channel for the deep bass stuff. That's my guess anyway :-)
I think I hear a smooth fade out of the noise channel at the point where the DC offset is climbing up, but then discrete fade-in in volume steps afterwards when it does not change.
yeah the tri/noise/DMC channels share the same internal output line -- & thus all three are affected. (the two NES pulse channels also share their own line w/the same nonlinear mixing effect, but it's way less noticeable -- compared to the former's relative unpredictableness).
as for the trippy part before the piano solo: it uses a looping chord fade sample carefully made to keep increasing DC bias slowly until it hits the 127 wave position limit of the DMC channel. due to the delta nature of the sample, it continues from the last position as it loops.pic.twitter.com/3bqil6JsKU
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例えばDCオフセットが意図的に逸脱する理由を解明してね！
