Oh, by the way, x264 also produced a file *10 times smaller*. With much better visual quality.
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Another one for the "professional/commercial software is unprofessional" list: Apple messed up chroma siting in either Final Cut Pro X or their H.264 encoder. Direct H.264 exports are visibly offset; exporting to ProRes 4444 and then ffmpeg/x264 yields correct output.
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Thanks. Twitter will use this to make your timeline better. UndoUndo
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Apple’s H.264 encoders have always been trash as far as I can tell.
Thanks. Twitter will use this to make your timeline better. UndoUndo
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