Luvh Rakhe

@luvhrakhe

Writer for upcoming Lil Dicky show on FX. Formerly AP Bio, Sunny, New Girl. Believer in organized labor.

Vrijeme pridruživanja: kolovoz 2009.

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  1. 10. sij

    Everything about writing for this show has been pure joy including my Los Angeles train commute FX March 4th!

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    “Dave” the tv show. On and in March

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  3. 18. pro 2019.

    If you thought they were excited to purge felons...

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    Too many pundits, not enough organizers. Too many worriers, not enough donors. Too many arguments, not enough phone calls. The main thing is that we just need to work our asses off and work together and win this thing.

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  5. 3. pro 2019.

    Know what’s great about teaching people to read? It can't be unlearned and you wind up changing their lives forever! Do that! Donate to LA Library’s Adult Literacy services this and your gift is MATCHED up to 15k!

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    11. stu 2019.

    Agency-owned production companies aren’t good for writers, aren’t good for our industry, and hey guess what - they might prove to be not such a hot idea for agencies, either. And to think: this is only one part of what we took action over. 4 minutes to total clarity. Great work.

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  7. 12. stu 2019.

    One thing is clear. It’s not the case that agencies don’t know employing their clients is a conflict of interest. It’s that they don’t care, and they hope no one else does either.

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  8. 12. stu 2019.

    A reminder that, as we continue to talk with agencies, agency production left unchecked is more pernicious than packaging. Here’s a detailed dive into the history and specific harms of agency production.

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    29. lis 2019.

     has gone too far,” they said. Weinstein — out and about in NYC Polanski — won at Venice Film Festival Louis CK — on tour Woody Allen — just released a movie Andy Lack — still runs NBC Noah Oppenheim — contract just renewed Kavanaugh — on SCOTUS Trump — President

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  10. 28. lis 2019.

    And having been on 13 staffs over 17 years here in El Pueblo de la Reina de Los Angeles de Porciuncula, I’ve never worked with a Latinx writer. Not once.

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  11. 28. lis 2019.

    To my knowledge, I’ve never worked with a disabled writer or a Native American writer.

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  12. 28. lis 2019.

    Only one of the showrunners I’ve ever worked for was a woman. Here are the numbers with that show factored out (still weighted) Total writers: 134 25 women, down to 18.7% 31 POC (including me), slightly up to 23.1% 5 LGBT, steady at 3.7% 82 SWM, up to 61.1%

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  13. 28. lis 2019.

    My first couple shows were dramas. Here’s what it looks like with just comedies. (still weighted) Total writers: 225 38 women, steady at 25.3% 37 POC (including me), steady at 20.8% 12 LGBT, down to 3.6% 72 SWM, up to 57.3%

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  14. 28. lis 2019.

    Here are the weighted numbers, counting each season as its own staff. The 19 “staffs” I’ve worked on comes out to 244 “total writers.” 63 women. Steady at 25.8% 49 POC (including me). Down to 20.1% 13 LGBT. Down to 5.3%. 136 SWM. Up to 55.7%.

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  15. 28. lis 2019.

    BUT for the returning shows I’ve been on, how to count for the fact that the SWM stay on in greater numbers and POCs shall we say rotate out?

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  16. 28. lis 2019.

    4 staffs with zero or 1 woman 6 staffs with no other POC besides me 8 staffs with no LGBT

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  17. 28. lis 2019.

    TV writers have been asked and it took me a sec to compile. I’ve been a part of 13 staffs which have had 171 writers. 44 women (25.7%) 40 POC (including me) (15%) 13 LGBT (7.6%) 91 have been straight white men (53.2%)

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  18. 21. lis 2019.
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  19. 14. lis 2019.

    Remember learning about apprenticeships in history class?

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  20. 26. ruj 2019.
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