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But it also is such a good demonstration of what intimacy coordinators can bring to the table! They are exactly there to make it like anything else: planned, scripted, limited and understood and agreed to by everyone.
The very act of resisting the intimacy coordinator’s role suggests a lack of understanding of how behavior during love scenes can affect other people. It almost suggests that it is natural not to be able to control yourself during these scenes.
Because where else would an actor say it’s not reasonable to block a scene? To say “slap him on the back” or “don’t slap him on the back”? These scenes do not especially rely on spontaneity.
But as I said, the very attitude on display in that piece is so indicative of how hard these things are to change and how important developments like intimacy coordinators are. The person in that job introduces authority, and doesn’t put the responsibility on the other actor.
When you make this someone’s job, you respect the professionalism of this kind of work. You’re not wrecking it, you’re elevating it to the same respect you give stunt work or lighting. /fin
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