I super disagree with any interpretation of Millennium Actress that doesn't see Chiyoko's life as incredibly meaningful and well lived.pic.twitter.com/N2LuvEFBsf
-
It's definitely Satoshi Kon's most emotionally-centred film, and consequently the one I cry the most when rewatching. In short, I Cri Evrytiem.
Yep same -- the last line gets me like clockwork no matter how I prepare for it, and likewise I cry whenever Chiyoko does. Love it so much.
-
-
It's one film that does a wonderful job of earning your emotional trust in what the filmmaker and main character each have done while also throwing you for a double-take in almost every scene. I loved them both so much after seeing the film.
-
So, first, I fully agree -- this was my first Kon film and it made me seek out the rest, and second I am very attached to Chiyoko...
End of conversation
New conversation -
Loading seems to be taking a while.
Twitter may be over capacity or experiencing a momentary hiccup. Try again or visit Twitter Status for more information.