It's definitely Satoshi Kon's most emotionally-centred film, and consequently the one I cry the most when rewatching. In short, I Cri Evrytiem.
I super disagree with any interpretation of Millennium Actress that doesn't see Chiyoko's life as incredibly meaningful and well lived.pic.twitter.com/N2LuvEFBsf
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Yep same -- the last line gets me like clockwork no matter how I prepare for it, and likewise I cry whenever Chiyoko does. Love it so much.
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So, I should watch this?
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Great reflection on what is a meaningful life, great humour and animation, interesting reflections on gender and history of cinema. Love it.
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