This is a very interesting article about the death of the key change in pop music. Vertical vs linear composing.
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Makes me think about Attali’s theories of music & social structure. Is more recent music about a staticness, even even a sense of being stuck, while older harmonic modes have a kind of “progression” to them. Particularly songs that don’t just jump a key but modulate more subtly?
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"This shift makes you feel like you’ve received the Holy Spirit even if you’ve never been to a church."
🤣🤣🤣🤣🤣🤣
