Jon Ippolito

@jonippolito

Variable media evangelist • Digital preservation professor • JavaScript junkie • Ecovillage spear carrier • Lapsed astrophysicist •

University of Maine
Vrijeme pridruživanja: studeni 2008.

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  1. Prikvačeni tweet
    3. stu 2019.

    I'm excited to be co-teaching digital preservation online again this January, in a class where we apply cutting-edge strategies to real-world problems. Registration is open at

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  2. prije 5 sati
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  3. prije 8 sati

    📽 🎬 🎞 Work in one of the Bay Area's premiere film collections, former haunt of my co-author MT : Film Collection Supervisor, UC Berkeley Art Museum and Pacific Film Archive

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  4. prije 9 sati

    If you like media art or digital preservation or both, this is an exciting chance to work with a hot startup with smart folks at the helm.

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  5. proslijedio/la je Tweet

    Archivists have pirated more than 5,000 studies about coronaviruses and made them open access: "It's a moral imperative," they said. “A copyright on the health of humanity? Fuck off.”

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  6. 2. velj

    A provocative thread by brings renewed attention to the preservation of new media art: Last year in this keynote at Yale, I explained why emulation is far and away the best solution for rescuing my own work:

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  7. 31. sij

    Why would you want to preserve individual emails when you can emulate them along with the context in which they were written? This is a huge win for understanding history as a living system

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  8. 31. sij

    There's a pervasive myth in that preserving a digital artifact comes down to saving its files. The producers of Toy Story don't want to preserve the files. They want to preserve their potential. (As recounted in )

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  9. 31. sij

    "Mark Zuckerberg Says Facebook's Goal is No Longer To Be 'Liked'." Achievement unlocked 🏆 If he really wants to be understood, Zuckerberg needs to explain how the decision to allow outright lies in political ads is anything other than immoral profiteering

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  10. 30. sij

    I only own half of these—I want the full stack!

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  11. proslijedio/la je Tweet
    28. sij

    "the most valuable version of a cultural artifact is not necessarily the most “accurate”, but [...] the version capable of reproducing the greatest variety of offspring." – 🤔I like that idea from "Re-collection" which I'm reading for . Is scarcity still a thing? 🖼️

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  12. 29. sij

    "We had made a game that you don't die, you don't level, you don't start over…so the only way we were going to give people the amount of time for their money for the game was just sheer, brute-force amount of real estate" CC

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  13. 29. sij

    A beautiful dive into media archeology by the creator of an icon of

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  14. proslijedio/la je Tweet
    28. sij

    And it relates to a bugbear of mine: the idea that you’re not doing digipres properly unless you have a monolithic repository system. It’s the _system of care_ that matters, not the tech stack. And IMO multi-component systems are safer and more sustainable.

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  15. 28. sij

    I'll be very glad to hear your thoughts on the book's controversial thesis!

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  16. 26. sij

    Archival research has changed from sorting Manila folders and Solander boxes to organizing iPhone photos with Dropbox, Tropy, or Scrivener. For better or worse, the job of the historian is changing rapidly thanks to

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  17. 26. sij

    A critical but underappreciated aspect of . (Also why I'm holding my nose.)

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  18. 26. sij
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  19. proslijedio/la je Tweet

    Fun fact: at this point nearly all print material has now for a long time been “born digital” it’s the print copies of the newspapers, journals, and books that are the surrogates.

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  20. 20. sij

    Gibson says 24 hours out of date is enough to make a sci-fi book meaningless. "Writing a contemporary novel today that doesn't involve concepts that wouldn't have been seen in science fiction 20 years ago is impossible. Unless it's an Amish novel."

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  21. 20. sij

    Mammas, don't let your data grow up to be PDFs

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