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  1. to overcome imposter syndrome, have confidence in your depth of curiosity rather than your expertise.

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  2. 30. sij

    basic functional architecture for other species is avant-garde formalism for humans

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  3. 28. sij

    a syllabus is first and foremost an agreement with oneself.

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  4. 20. sij

    people come together just as words come together to make meaning

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  5. 17. sij

    i’m presenting a paper on the politics of participation seen through the lens of participatory art (from dada to GANs) at the data justice 2020 conference this may.

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  6. 13. sij

    the aesthetics of high fantasy and high finance are having a parent trap moment

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  7. 12. sij

    true in 1954; true today

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  8. 7. sij

    what if instead of thinking in terms of pixels the artist thinks in terms of memory?

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  9. 7. sij

    trickle-down metaphor

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  10. 4. sij

    the existence of playgrounds indicate that all other architecture is too boring.

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  11. 2. sij

    art school syllabus as conceptual art art school syllabus as freelance gig art school syllabus as therapy prescription art school syllabus as brand extension art school syllabus as cult recruitment

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  12. i also want to create more closeness and more openness: intentional time with close friends and collaborators, and an open mind about who can become a friend and a collaborator.

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  13. my last decade was defined by immigrating and assimilating to america; this next one will be growing roots with the culture that i brought with me.

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  14. next year, i'm starting a study group on united states land use case law—to gain better language, refreshed metaphors, and a deeper understanding of how things actually work.

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  15. as an artist, i used to be terrified of laws. i thought it was where poetry goes to die. in the past few years, probably as a reaction to my increasing frustration with the inefficacy and insularity of the art world, i gained a deep appreciation for legal scholarship.

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  16. the garden (like minimalism in its current grotesque incarnation) is a kind of emotional machine that feeds on anxiety about the the context (climate crisis, inequality, homelessness, etc etc.) and supplies feelings of joy and control, while the context remains unchanged.

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  17. you can't fight deforestation by tending houseplants, but you might feel better.

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  18. i want to think/talk/work with digital culture in an expanded field. the garden—and its related actions of tending, caring, and cultivating—feel like a symptom rather than an antidote to our current condition, like the film set of the prisoner.

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  19. gardens are the illusion that things are under control

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  20. today my known unknowns have been expanded

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