Jason Gray

@jgtokyo

Film Producer/映画プロデューサー: Kurosawa Kiyoshi's TO THE ENDS OF THE EARTH『旅のおわり世界のはじまり』(黒沢清監督 ) ・『十年 TEN YEARS JAPAN』・ MAGIC KIMONO『ふたりの旅路』・

Tokyo base, travel on film's tradewinds
Dołączył kwiecień 2009

Tweety

Zablokowano @jgtokyo

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  1. Przypięty tweet
    10 sty

    I’ve lost a dear friend of over 30 years, to cancer. Rest in Peace, John “Johnny” Theodorou . My condolences to his father, sister, and life partner Annelise Noronha BAR NONE, the most passionate movie lover I’ve ever met. His friendship was a gift.

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  2. 3 mar

    Sunny cafe terrace. This Uber Eats kid has been back five times in about 20 minutes. Groundhog dayin’ it.

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  3. 3 mar

    MINARI coming to cinemas in Japan later this month. Gaga distributing (they’re good at picking winners — often at the script stage). Looking forward to it.

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  4. 2 mar

    How difficult it is to cast actors as Oasis and the Primals shows how unique they were (the guy playing Noel was all right). Had to explain to the wife why McGee is ready to pack everything in after meeting some guy called "Jimmy Saville".

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  5. 2 mar

    Structurally and tonally mad, Nick Moran's CREATION STORIES was still a fun whizz from the UK punk scene up to the death of Britpop at 10 Downing through the eyes of Creation's Alan McGee (110% commitment by Ewan Bremner).

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  6. 1 mar

    Veteran DP Kasamatsu Norimichi's cinematography deserves special mention. Shot on an ARRI Alexa Mini with extremely good grading. You'd be hard pressed to not think it was shot on film, perhaps thanks to his many years of experience in 35mm.

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  7. 1 mar

    Nishikawa is no doubt one of Japan's more talented filmmakers, but sometimes you can use too many colors, so to speak. Still, there are numerous moments of movie pleasure in this heartfelt drama of a man who only wants to be "normal" in the final act of his troubled life.

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  8. 1 mar

    Yakusho gives one of his stronger performances, which is saying something, but UNDER THE OPEN SKY's screenplay hosts too many secondary story threads for its own good (a common problem in contemporary film storytelling here, particularly with adaptations).

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  9. 1 mar

    The European Film Market kicks off today. Industry seminars & screenings booked (far less “buyers only” screenings than Cannes Marché). Some very Berlin things at EFM: Yoga sessions, Wisdom of the Day, and “FuckUp Night” case studies on failures.

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  10. 27 lut

    Very interesting that Slamdance winner TAIPEI SUICIDE STORY is considered a feature at 45 minutes? The bare minimum I've ever seen is 60, usually 70 for most fests around the world. Japan -- land of 中編 -- would love this.

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  11. 27 lut
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  12. podał/a dalej
    26 lut

    This is brutal. The Oshima Prize, launched last year to support emerging Japanese filmmakers, wasn’t awarded to anyone this time due to a lack of worthy candidates. Jury member Kiyoshi Kurosawa complains there are too many films where “everything works out in the end.”

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  13. 24 lut
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  14. 23 lut

    It’s National Cat Day in Japan! Eternal love & gratitude to our two owners, Princess プリンセス aka Puppy, and Meme メメ aka Meme-tan, pictured here.

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  15. 22 lut

    Had a great experience at a few years ago. Recognize the ballroom? I was stunned when I walked in, unaware. It's where Robert DeNiro ("Noodles") takes Elizabeth McGovern ("Deborah") on their fateful, final date in Sergio Leone's ONCE UPON A TIME IN AMERICA.

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  16. 22 lut
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  17. podał/a dalej
    22 lut

    Love following Masaaki Yuasa's twitter. First one says "uphill," second one "downhill."

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  18. podał/a dalej
    20 lut

    役に真実味を出すことの出来る俳優 演技をしていない様に役になりきれる人 一生懸命演じているというのではなく自然に演じられる俳優 JJエイブラムス俳優論そのもの ”葉子”の人生を生きているとしか思えない前田敦子 見え隠れする葉子の哀しみに震えます WOWOW 2/25深夜2:30

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  19. 19 lut

    Good to see Yamashita Nobuhiro returning to his original indie roots — RAMBLERS (2003) sequel coming.

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  20. 19 lut

    Old skool ramen in da hood — delicious. Pro tip: always hit ramen joints before local workers’ 12:00 feeding bell rings and you’ll usually have shops to yourself.

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  21. 18 lut

    I like this review of Kurosawa Kiyoshi's TO THE ENDS OF THE EARTH「旅のおわり世界のはじまり」. "It’s a very strange film, but endearingly strange, and one that embraces the value of stepping boldly into unfamiliar new spaces and situations."

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