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... the significant analogy between hoaxing and white-hat hacking; the theoretical ambitions of poker-faced documentary metafiction; Paul Coleman-Norton's ingenious "Amusing Agraphon" (1950); Ken Alder's 'forgery' in Critical Inquiry (2004); ...
Hoaxing, in short, is good, even if the latest hoax may not live up to the fullest potential of the genre. People who hate hoaxing as such are petty functionaries.
