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  1. Retweeted
    Jun 16

    ., , and are thrilled to announce that after 2-and-a-half years of negotiations with , we have reached an agreement in principle on our first contracts and averted a strike.🎇Here are some of our wins: (1/9)

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  2. May 23

    Another ton of bricks in another dainty package. Big up Meg Remy, she never stops

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  3. Apr 29

    A formidable tenure. Getting edited by Jayson is like having a dislocated shoulder clicked back into the joint.

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  4. Apr 6

    Finally finished ’s phenomenal city-pop opus after dipping in and out for weeks, following various threads and wormholes. If you haven’t already, start the journey today...

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  5. Feb 28

    Love to see once again making the world’s least appealing music sound completely fascinating

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  6. Feb 9

    Wrote about the audacious debut and am-I-even-enjoying-this? vibe of Black Country, New Road

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  7. Feb 5

    Thanks also to for putting me on to the first batch of Bandcamp Mixes, which starts with a 9-minute Madonna mix and keeps getting better. The closer is an MOR 90s ballad; Moulton adds a bassline, doubles the runtime and it turns to gold

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  8. Feb 5

    The Whispers mix on here has become my lockdown salve, just outrageously joyful, sprawling, uplifting, and as with all Moulton’s work a beautiful vision of what the original could have been if commercial concerns didn’t exist

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  9. Feb 5

    An honour to interview disco legend Tom Moulton about one of our favourite subjects: the enduring brilliance of Tom Moulton. At 80, he is still hilarious and still knocking out classics

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  10. Feb 4

    Kudos to for this magical series on fandom, every previous entry is brilliant

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  11. Feb 4

    When I was 10 my mum blacklisted my most wanted album, Original Pirate Material, causing me to perish. The near-stranger who stepped in to save me is still one of the puzzles of my life. I wrote about it, and her, here

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  12. Retweeted
    Jan 12

    after a beaautiful year of working at garage i'm sad to say my last day is in a few weeks. would be insanely grateful for any opportunities of any nature. proud of my coworkers and everything we did/are doing together <3

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  13. Retweeted
    Jan 6

    Morning! I am putting out there my Extreme Availability for freelance writing and editing work right now, particularly but not only in the tennis ecosystem and music crit. Good at putting words together, interviews, match reports and stat nerdery. Can handle your CMS.

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  14. 31 Dec 2020

    Had to make an emergency disco playlist for a friend and it seems to have worked, so I’m putting this energy into the new year

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  15. 29 Dec 2020

    Also contributed to Pitchfork’s ensemble dive into our feelings... read on for lots of heartwarming self-reflection and one overwrought theory about Jasss’s Turbo Olé

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  16. 28 Dec 2020

    Cheers to 2020 saviours Jayda G, JASSS, , , and godfather of endorphin-deprived club tunes (and of course the ever great on the edit)

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  17. 28 Dec 2020

    My 2020 retrospective piece is about the unusual lives of pandemic-year bangers

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  18. 13 Dec 2020

    Funny music criticism is always a relief and has been on fire all year. This Michigan rap overview is sharp as ever

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  19. 7 Dec 2020

    For the Pitchfork rundown I have written about Fiona Apple’s I Want You to Love Me, which admittedly is also good

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  20. 7 Dec 2020

    It brings me no pleasure to announce that the best songs of 2020 are Tom Moulton’s unvaulted disco edits

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