So nice to have been nominated by @BAFTAGames for Best Music and @audiogang for Creative and Technical Achievement in Music. Speaking of which, how about we highlight a few of the finer details @joethwaites? #gameaudio
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SPOILERS! For the final fight against Vex we wanted the music to follow Sackboy’s triumph. As Vex’ health goes down, Sackboy’s theme - which has been absent for a lot of the final world - starts to break through. Kudos to
@nickfostermusic for making it work.pic.twitter.com/z2vkP3uA5z
).We wanted the environment to feel in harmony with the soundtrack, so things like checkpoints, bubbles, flag lines, even these Boomblebees are tuned accordingly. This has to be one of my favourite moments/tracks. (thanks
@KurasJoey and @JeyKaziAudio for the awesome sound design!)pic.twitter.com/diFtLkKNe7
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Some levels feature music that builds with proximity to objectives. In this clip - featuring our remix of Mars by
@OPIUO - as you get nearer to the boss entrance the orchestra builds.pic.twitter.com/BKS3SwmvhS -
All of the Vexxed enemies have localised vocalisations. They are possessed by Vex! Basically, this meant that we got to ask the legendary
@RichardEGrant to make some silly noises, then we did it with the international Vex actors too! Mememememememe!pic.twitter.com/uRjMjdYc9c - Pokaż odpowiedzi
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I noticed this and deeply appreciated this detail. Everything has a musical quality to it.
Dziękujemy. Twitter skorzysta z tych informacji, aby Twoja oś czasu bardziej Ci odpowiadała. CofnijCofnij
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