Midsommar is the greatest cinematic gift the 10s provided ushttps://twitter.com/cinematogrxphy/status/1291718097020301314 …
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The comic interpretation appears at first as taking the side of the woman in the onscreen relationship as she comes to terms with its end. But it's actually identification with the cult in the direct and violent conflict between the cult and the outer world.
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Now, it would be unkind to assign this view to feminists. That was the problem with The Wicker Man (2007). But if you present it in a neutral way, and they just decide to go along with it...
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Essentially, it's the maximally insane conception of utopia that you can ascribe to someone without them taking offense - a portrait of the awokening that everyone can agree is basically accurate as to the goals and prospective methods of the moment.
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