You can add location information to your Tweets, such as your city or precise location, from the web and via third-party applications. You always have the option to delete your Tweet location history. Learn more
Midsommar is the greatest cinematic gift the 10s provided ushttps://twitter.com/cinematogrxphy/status/1291718097020301314 …
Gone Girl was rightly perceived as an attack on female virtue. It doesn't play at a subjective viewpoint - OP is simply mistaken or trolling. Midsommar on the other hand allows viewers to choose between tragic and comic interpretations. But there's a bait and s switch:
The comic interpretation appears at first as taking the side of the woman in the onscreen relationship as she comes to terms with its end. But it's actually identification with the cult in the direct and violent conflict between the cult and the outer world.
Now, it would be unkind to assign this view to feminists. That was the problem with The Wicker Man (2007). But if you present it in a neutral way, and they just decide to go along with it...
Essentially, it's the maximally insane conception of utopia that you can ascribe to someone without them taking offense - a portrait of the awokening that everyone can agree is basically accurate as to the goals and prospective methods of the moment.
Hereditary reminds me why I generally don't like horror films since the first half is absolutely brilliant as a psychological/family breakdown horror piece, and the second half just descends into schlock.
Personally I think The Witch and Gone Girl are the only really good things here.
I'm not sure on the bottom two but if they're Suspiria and You're Next, I didn't like either one. Other than that The Witch is the only one I didn't like 
Twitter may be over capacity or experiencing a momentary hiccup. Try again or visit Twitter Status for more information.
