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Jean-Baptiste Morizot’s “Token” (http://is.gd/tokenfont ), now out
@futurefonts for@phantomfoundry, explores some staples of display typefaces (filled-in counters, anyone?) but manages to make them coherent design features rather than mere ornamental afterthought.#366fonts (35)pic.twitter.com/NNMjy81gIo
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Allrounder Grotesk by @typmo_ has entered http://typography.guru ’s Hall of Fame as the best font of January 2020! It’s also steadily climbing up on MyFonts’s “Hot New Fonts” list. Get it for just ⅕ of the original price with coupon code JLA-80 → http://is.gd/allrounderg pic.twitter.com/9JlkmGOIAk
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Composition trouvé at the bakery. Have a great week!pic.twitter.com/SA18KSFdNk
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Another delight for
@fontofthemonth subscribers:@djrrb provides you with “Megabase” (http://is.gd/megabase ), sporting “strong horizontal stress inspired by the clunkiness of 19th-century gothics like Gothic Bold and the space-age funkiness of 1970’s designs”.#366fonts (34)pic.twitter.com/f5HK6yqPop
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Today’s
#fontsunday is all about fonts found on windows. Here’s one of ours!@DesignMuseumpic.twitter.com/bbt8yPLXQ5
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Check out the revised & redrawn version of
@positype’s “Kari” (http://is.gd/karifont ). It’s a curvy, dynamic, and fun script font family with both upright and slanted styles that evokes magic shows & circus settings. Its first iteration was released 15 years ago.#366fonts (33)pic.twitter.com/sUMR0f3I8G
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René Bieder’s new typeface is “Novera” (http://is.gd/novera ), a(nother) sans “inspired by the work of Paul Renner, Eric Gill or Jakob Erbar, combining the geometric with the human”. What sets Novera apart are its 2 distinct incarnations, “Classic” & “Modern”.
#366fonts (32)pic.twitter.com/2nTxOFAO7S
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From the Q&A: in the summer & around Christmas are not the best times to release your fonts. “Use common sense” & schedule your releases to when people are working.
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Summary slide.
Think about your customer (half of them aren’t garphic designers)
Nothing is as simple as it seems (talk to font users to get the bigger picture)
Some things change (as the business world changes, so does font usage)
Some things stay the same (QA!)Prikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Type designers, rejoice: 66% “agree” that you are “cool”.
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Survey question: “How well do you know a type designer?” 2%: “I didn’t even realize that there are people who make fonts until reading this question.”
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Insightful data from the 2019 “Font Purchasing Habits Survey”, skillfully presented by
@mcpflugie at this very moment. 1st lesson: type designers, make it easy to license packages. Only a minority of customers purchase single styles. (
: @Monotype)pic.twitter.com/IFomPgg2AL
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This is “Vestmar” (http://is.gd/vestmar ) by Sindre Bremnes, the latest
@monokromfonts release: the flavour of Antique Olive with a hint of FF Balance. Yes, reverse contrast is the hypest hype in type right now—but Vestmar achieves a warmth that many others lack.#366fonts (31)pic.twitter.com/pkwOmTWxKQ
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The
@TypewriterType releases, “Typist Slab” (http://is.gd/typistslab ) + “Typist Code” (http://is.gd/typistcode ) by Nicolien van der Keur, cite “extensive research on the origin and development of typewriter typestyles”—a nod to history & its update to today’s tech.#366fonts (30)pic.twitter.com/47mTTsXtjz
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Granted—“Jim Rimmer aptly described his Dokument family as a sans serif in the vein of News Gothic that takes nothing from News Gothic” and “a bridge between Gothic and Humanist” (Canada Type). However, to me Dokument Pro always appeared mostly mechanical & rigid (in a good way).
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This kind of
#industrial vernacular aesthetics seems to gain ground steadily. A recent release by@TypeMates, “Halvar”, sports a similar visual character (and it’s variable, too). A distant relative & a tried and tested option is@CanadaType’s “Dokument Pro” (2005) by Jim Rimmer.pic.twitter.com/KITmNo3b22
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For “Magmatic” (http://is.gd/magmatic ), the latest
@OccupantFonts typeface—“loosely inspired by [industrial] Japanese Shōwa-era typefaces”—@CyrusHighsmith “reinforced … curves with additional non-orthogonal points” to allow for extreme weight & width variation.#366fonts (29)pic.twitter.com/lubNorzqQ2
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Radim Peško’s “A Gothic” (http://is.gd/agothic ) & “AA Gothic” (http://is.gd/aagothic ) have been released by RP Digital Type Foundry. “A Gothic” has early 20th century vibes—akin to “Venus” or “Monotype Grotesque”; “AA Gothic” adds inktraps—but for large sizes!
#366fonts (28)pic.twitter.com/v5KxlkKylc
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Johannes López Ayala proslijedio/la je Tweet
Better than dyeing the carp

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