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Prikvačeni tweet
Stuff I've made: • post-anthropocene gothic funk as SEEMING, 2013- http://goo.gl/rQ5hZp • darkwave as THOUSHALTNOT, 2000-'12 http://goo.gl/WyBeWG • a 33 1/3rd book on They Might Be Giants http://goo.gl/gSVdLn • the book on industrial musichttp://goo.gl/Wn06f
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Is there any genre so singularly organized in tribute of a single act as synthpop is with Depeche Mode? It can't be stylistically healthy in the long run...
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Happy 30th, "Enjoy the Silence." • It is the greatest piece of synthpop ever • But is far more than the sum of its parts • Let's be real: the lyrics are... not actually very good • And that's okay (and its part of why there are no good covers of it)
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I am 100% sure that the quotation signs in "Are 'Friends' Electric?" are the same quotations signs in "Heroes." I would even venture that though the former song is not a cover of the latter, its quotation signs are a cover of the latter's.
#headexplodeHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
I did a quick interview about my recent music! Check it out at https://www.forallandnone.com/blog-1/2020/1/29/10-shortcuts-alex-reed-290120 … Thanks
@bazzanagnagnag!Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
S. Alexander Reed proslijedio/la je Tweet
10 shortcuts... alex reed 290120 https://www.forallandnone.com/blog-1/2020/1/29/10-shortcuts-alex-reed-290120 … “… On January 2, 2020, I stayed up for 24 hours and wrote, produced, recorded, and released a ten-song album from scratch, all before the day was done…”
@industrial_book#electronic#industrial#goth#classical#newyorkHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Circa issue 5: “You may have noticed a suspiciously similar publication around the city. DO NOT BE FOOLED. SARAH CANNOT BE TRUSTED AND IS A FAKE GOTH.”
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I've got 400 music zines in my database. This happens with ~ 60% of them: #1: Jan 92, 12 p. #2: May 92, 16 p. #3: Feb 93, 32 p. #4: Mar 94, 60 p. + "Sorry it took so long!" #5: Sep 95, 80 p. + "We'll get back on schedule!" #6: Feb 96, 80 p. + CD + "Next issue will be huge!" /end
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Is loudness a medium?
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I mean, I *have* been asked to prepare a 2nd edition of my industrial music history… It's their call how they want this to look.
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(And bruised goodwill be damned, it's the *RIGHT* thing to do.)
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Here's the story about the issue, btw. It's really, really easy, Al... you fire the dude. It's still not too late to keep some bruised goodwill.https://www.billboard.com/articles/columns/rock/8548353/ministry-guitarist-sin-quirin-accused-underage-sexual-relationships?utm_source=twitter&utm_medium=social …
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You don't have to look deep in Al's autobiography or Chris Connelly's memoir to find absolute horror stories of the band's behavior in the past. Instead (for now) I'd rather appeal to Al's better nature (e.g. here: https://www.youtube.com/watch?v=EnQuwU-bgSM … ) and say NOW IS THE TIME TO LEVEL UP.
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FYI, Ministry is about to throw away whatever progressive legacy they ever had (perhaps a dubious claim to start with...)—all over refusing to replace a sexual abuser in their ranks. Here they are muting people who dare ask them about it...pic.twitter.com/UPofCVXpVs
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In short, zines are texts of subculture, library science, artmaking, economics, sociology, aesthetics, media literacy, and empathy. --- There's much more to say, but that's what wound up in this document.
#zines 12/10+2Prikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
11. In their idiosyncratic topical coverage and multimedia barrage, zines exemplify for students the complex poetic expression of real human experiences—often difficult, unmarketable, or politically radical ones—in ways that a single artistic medium cannot achieve. 11/10+1
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10.. In their broadcast from (often) a single maker to thousands of readers, zines are inspirational as works of influence, entrepreneurship, and/or the making of alternative (frequently anticapitalist) economies. 10/10+1
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9. In their punk-rock reframing and détournement of pre-existing phrases and images, zines demand critical consideration of signs, sources, meanings, and authority—essential in a “post-truth” 21st century. 9/10
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• Zines are personal texts of variegated expression. 8. In their eclectic layout, they integrate form and content in semiotically rich ways that carry their own histories (e.g. dada, graffiti), and that are relevant to online discourse (e.g. Instagram, VR, advertising). 8/10
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