Institut français UK

@ifru_london

Promoting language & , comprises , I&II, a multi-media library and a cafe-restaurant Café Tangerine.

London
institut-francais.org.uk
Vrijeme pridruživanja: veljača 2010.
5.833 fotografije ili videozapisa Fotografije i videozapisi

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  1. prije 6 minuta

    A Night to remember… Throwback to the , when philosopher and historian opened the debates with his thoughts on Replay the night ▶️

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  2. prije 31 minutu

    Palme d'Or at and & winner is the revelation of this award season. This black comedy by dir. Bong Joon-Ho will blow your mind! 7-20 Feb at 👉

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    prije 3 sata

    Join us at the unique screenings of and go back in time! This weekend A Streetcar Named Desire will be shown at the ! Fri 7 Jan 7.30 pm | Sat 8 Jan 6 pm |Sun 9 Jan 3.40 pm More here:

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  4. prije 5 sati

    turns 10! 🎶 's laureate 2019, will take place from 7 to 16 Feb w/ a focus on 's work. 👉

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    prije 7 sati

    Who really was Dora Maar? On the occasion of the exhibition , curator Emma Lewis & , author of will draw a portrait of the iconic figure + short film "Lunch in fur" 12 Feb 👉

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  6. proslijedio/la je Tweet
    prije 6 sati

    Nathalie Léger will be our guest on the 12th of May for the opening of the next 2020 Save the date and follow us! Many more authors to be announced...

    ‘She wanted to bring peace to countries that had known war. She thought she could do that simply by wearing a wedding dress.’ Going out today: review copies of Nathalie Léger’s THE WHITE DRESS, trans. & published 31 March.
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  7. prije 22 sata

    Polish director depicts ’s genocidal famine in Ukraine in the early thirties through the eyes of real-life Welsh journalist (), the man who had interviewed Hitler. From 7 Feb at 👉

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    5 proslijeđenih tweetova 17 korisnika označava da im se sviđa
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  8. prije 23 sata

    AMOUR: How The French Talk About Love by Published by / 👉

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  9. prije 23 sata

    Winner of the for and Nominated for Best Documentary Feature at Awards, is an intimate and epic journey into the female experience of the Syrian war. 9 & 19 Feb at 👉

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  10. 5. velj

    Opening our Best of 2019 Series, Pedro Almodovar's most personal film to date, the sensuous Pain and Glory, nominated for Best International Film at the Oscars this year. 5 & 14 Feb at 👉

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  11. 5. velj

    Join Patrick Staff and their peers for an evening of poetry readings at on 7 Feb - with Bhanu Kapil, Precious Okoyomon, Nisha Ramayya & the artist. Book now:

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  12. 4. velj

    Who really was Dora Maar? On the occasion of the exhibition , its curator Emma Lewis & , author of will draw a portrait of the iconic figure from overlapping perspectives. 12 Feb 👉

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    4. velj

    Great start for in UK: French comics in English translation in spring line-up

    Here's what you've all been waiting for - our 2020 spring line-up!
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    4. velj

    Incredible talent shown by 120+ secondary school pupils for , a unique event in Northern Ireland promoting French, culture, and employability. Organised by with the support of . Really impressed and proud to be there with them today, bravo!

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    4. velj

    Apply to the mobility opportunity for senior at ⏰Application deadline is on 10th February 2020⏰ 👉

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  16. 4. velj

    ’s delightful comedy , directed by , is broadcast from la at Ciné Lumière. 10 Feb – 8pm at + Q&A with Benjamin Lavernhe actor from la Comédie-Française 👉

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  17. 4. velj

    Federico Fellini’s most personal film, , satirizes his youth during the fascist period to Nino Rota’s nostalgia-tinged score. 9 & 11 Feb at , as part of Les Classiques 👉

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  18. 4. velj

    Let’s discuss & the intrusion of the artificial in humans life & art w/ Nicolas Bourriaud, founder of the & curator of the 2019, & Cyril de Commarque ( ) 10 Feb 👉

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  19. 4. velj

    Be it fictitious or real, our classic film season explores autobiography and autofiction through the lens of the greatest masters, from Truffaut to Tarkovsky, Akerman to Fellini. Until 31 March at 👉

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    4. velj

    : Delphine Seyrig’s final film, the rarely seen JOAN OF ARC OF MONGOLIA, in actress’ season (Cine Lumiere) ‘the movie concludes with an abstract touch that’s as breathtaking as any of its sights and sounds.’

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