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Harm van den Dorpel
@harmvddorpel
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My collection so far. Orb (lite) still doesn't get enough love - fully on chain and programmed directly into the solidity code. The MGSs speak for themselves 😅
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The YouTube recommendation algorithm gave me this to me unknown tape today youtube.com/watch?v=2ecUte - I love it!
Was wondering how soon the YouTube algorithm will just compose music like this for me, based on other things I like. Would it ever not feel soulless?
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there's an RSS feed too harm.work/feed
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This page is often overlooked, but here you can find all additions and changes to my database of works
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Rendered: Thursday, April 11 2019, 13:40:18 CEST
Printed and framed: now
Edition of 2 + 1 AP
UltraChrome print on Hahnemühle paper, painted wooden frame in dominant colour of image
70 × 70cm / 27.6 × 27.6″
#ProtoSeeder #AmbiPrints
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7/ and friend of the jpg house presenting his own 1/1s from Pizza to Pixel (sorters) :)
jpg.space/HarmvandenDorp
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JPG's community keeps creating! New exhibitions by , some esteemed anons, , , , , , !
Discover these curators and the artists they love below:
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About last night: "Pseudo Psycho" @ BYOB organised by + - video by Elisabeth Jade
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it depends
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Ellsworth Kelly, Red-Orange over Blue (Rouge-orange sur bleu) from Suite of Twenty-Seven Color Lithographs, 1964–65 #ellsworthkelly #museumarchive moma.org/collection/wor
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Also, because tokens are not stored in wallets, but wallet addresses are stored in NFT contracts, the NFT basically owns the collector.
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So in that sense, if the burn function is implemented by sending to the 0xdaed address, nobody owns their NFTs
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A lawyer once told me true ownership is to have the ability to destroy.
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Yes! Artists control the conceptual supply chain, which can absolutely include the process of exchange.
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Building my own marketplace for my next large NFT collection.
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Honoured to see my "Fernand" in the wallet next to seminal works by and others
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Releasing into the wild is a one time, one way operation! Once released, tokens cannot be used for crossbreeding, and they won't evolve further. They can never return to the garden.
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As long as specimen are kept within the confines of this garden (marketplace), they can crossbreed, evolve and be put up for adoption, respecting creator transaction royalties. But! Owners can release them into the wild. Then they can be traded on all marketplaces (0% royalties)
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Building my own marketplace for my next large NFT collection.
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The aha moment
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If you were lucky enough to get a Monaco Mix from and Rita Vitorelli last year, the original 25 drawings (+ 4 previously unreleased) have been distributed. Simply "refresh" the metadata on Opensea to reveal which one you received.😳
Also..
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This was one of the earliest works sold on in 2016 – the Ethereum smart contract was deployed in 2018
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The entire work of all 29 drawings in ever changing order can still be watched at v1.left.gallery/monaco-mix/
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As requested by Monaco Mix holders, I've distributed the original 25 drawings (and 4 previously unreleased) among the 100 tokens of the collection.
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Nu te zien I Digitale kunst in ‘Analoog aan Léger’. In deze tentoonstelling zie je twee digitale kunstwerken als reactie op het nieuw ontdekte 'Fumées sur les toits'-schilderij van Fernand Léger. Meer info: krollermuller.nl/analoog-aan-le
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Straylight is live ~ 22 hours - a thread on some of most complex structures emerging. All of this is computed and rendered onchain through the EVM, every iteration is inscribed in the chain. Starting with [world_12 OPT]
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Simply put, Apple has introduced new policies to protect their profits at the expense of consumer investment in NFTs and developer innovation across the crypto ecosystem.
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A man who stole $10B, just got interviewed, portrayed almost as a victim and got an applause at the end
Still free and fine.
Aaron Swartz, who downloaded academic journals to share with the world got $1m in fines and 35 yrs in prison. This lead him to take his own life
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Replying to
If this is a claim that generative art cannot access this emotional register I’d disagree (see mutant.garden). But agree the vast majority of generative art is completely lifeless.
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